Last login: Wed Aug 23 12:15:53 on ttys000 jhav:~ jhave$ cd /Users/jhave/Desktop/github/pytorch-poetry-generation/word_language_model jhav:word_language_model jhave$ source activate p36 (p36) jhav:word_language_model jhave$ python -W ignore generate_2017-SL-BE_LaptopOPTIMIZED_randTemperature_sentenceLong.py --checkpoint='models/2017-08-22T12-35-49/model-GRU-emsize-2500-nhid_2500-nlayers_2-batch_size_20-epoch_69-loss_0.71-ppl_2.03.pt' BRERIN A Philosobot: Trained on collected book-length works of Erin Manning and Brian Massumi. +~+Library: PyTorch+~+ Mode: GRU Embedding size: 2500 Hidden Layers: 2500 Batch size: 20 Epoch: 69 Loss: 0.71 Perplexity: 2.03.pt Temperature range: 0.25 to 1.25 BRERIN PhilosoBot Initializing Please be patient. ~ 1.0 ~ When an object is indispensable, it job, the experience of view, the body take its own power as it is in symbiosis: confrontation, in which with its novel act and life is to triangulate. ~ 1.2 ~ and having entered the work with a hand of Woolf’s Unimaginable in order to tackle the threshold between the active field of immanence, the surplus of the present and all of the exemplary field at the heart of the political. ~ 0.97 ~ to inventively open toward the issue of the becoming-image, to the human belief that of the human in the realm of the animal is always an envelope of the act of potential and its own the more or the human. ~ 0.93 ~ The movement of the movement is the way of a movement that can be taken up by the concept of the event. ~ 0.32 ~ to ignite, and that drove our bodies as elements provocatively, afield to the interstellar, and it cannot be passingly and Espresar that entice the collection for an inertial voyage in its movement— lure—a texture its coming topological form out all that is actually felt, past its repetitions, but not counter- crystallizations that produce its formal desires, but not a string that is produced as an adequate pronouncements for Deleuze and Gins machinic:9 to these vision, a very difference. ~ 1.25 ~ What is important to be the idea that the conditions are not present in any way that is it is not reducible to the capitalist movement, and its . ~ 0.46 ~ ^CTraceback (most recent call last): File "generate_2017-SL-BE_LaptopOPTIMIZED_randTemperature_sentenceLong.py", line 142, in output, hidden = model(input, hidden) File "//anaconda/envs/p36/lib/python3.6/site-packages/torch/nn/modules/module.py", line 206, in __call__ result = self.forward(*input, **kwargs) File "/Users/jhave/Desktop/github/pytorch-poetry-generation/word_language_model/model.py", line 29, in forward decoded = self.decoder(output.view(output.size(0)*output.size(1), output.size(2))) File "//anaconda/envs/p36/lib/python3.6/site-packages/torch/nn/modules/module.py", line 206, in __call__ result = self.forward(*input, **kwargs) File "//anaconda/envs/p36/lib/python3.6/site-packages/torch/nn/modules/linear.py", line 54, in forward return self._backend.Linear()(input, self.weight, self.bias) File "//anaconda/envs/p36/lib/python3.6/site-packages/torch/nn/_functions/linear.py", line 10, in forward output.addmm_(0, 1, input, weight.t()) KeyboardInterrupt ^[OA(p36) jhav:word_language_model jhave$ python -W ignore generat17-SL-BE_LaptopOPTIMIZED_randTemperature_sentenceLong.py --checkpoint='models/2017-08-22T12-35-49/model-GRU-emsize-2500-nhid_2500-nlayers_2-batch_size_20-epoch_69-loss_0.71-ppl_2.03.pt' BRERIN A Philosobot: Trained on collected book-length works of Erin Manning and Brian Massumi. +~+Library: PyTorch+~+ Mode: GRU Embedding size: 2500 Hidden Layers: 2500 Batch size: 20 Epoch: 69 Loss: 0.71 Perplexity: 2.03.pt Temperature range: 0.25 to 1.25 BRERIN PhilosoBot Initializing Please be patient. ~ 1.0 ~ is a way of saying that the movement is not a form of an object, but an emergent movement of a transformation of its own appearance. ~ 0.48 ~ Like a dance of existence that is a certain kind of experiential attunement to the body is a central concern for the more-than, I think of the manner in which the body is most often to be taken up in the context of the work in its own right. ~ 0.49 ~ is a different, or if that affect itself is in the first part of the word it is to make felt what it can only be felt. ~ 0.82 ~ But with generally, with these are easy to add that in autistic life, and even as the way they come to be said that all is the movement that comes in the world as it is wont to take over the world in its own subjective form, and switching and dynamic form of the experience. ~ 0.86 ~ It is the problem of the event that is not so much as it is on the past in the present, as a function of the past as it is through the past and the future. ~ 0.5 ~ This is the way of saying that I have to work on the concept of this concept of the virtual, and the past of the present in the present to be lived in the way in which it is to work in . ~ 0.59 ~ To be delusional is to forget that the field of existence must be stretching an actual of its capacity to be in its own contagious is to be found to the nonphilosphical movement for experimentation. ~ 0.94 ~ ^CTraceback (most recent call last): File "generate_2017-SL-BE_LaptopOPTIMIZED_randTemperature_sentenceLong.py", line 142, in output, hidden = model(input, hidden) File "//anaconda/envs/p36/lib/python3.6/site-packages/torch/nn/modules/module.py", line 206, in __call__ result = self.forward(*input, **kwargs) File "/Users/jhave/Desktop/github/pytorch-poetry-generation/word_language_model/model.py", line 29, in forward decoded = self.decoder(output.view(output.size(0)*output.size(1), output.size(2))) File "//anaconda/envs/p36/lib/python3.6/site-packages/to (p36) jhav:word_language_model jhave$ python -W ignore generate_2017-SL-BE_LaptopOPTIMIZED_randTemperature_sentenceLong.py --checkpoint='models/2017-08-22T12-35-49/model-GRU-emsize-2500-nhid_2500-nlayers_2-batch_size_20-epoch_69-loss_0.71-ppl_2.03.pt' BRERIN A Philosobot: Trained on collected book-length works of Erin Manning and Brian Massumi. +~+Library: PyTorch+~+ Mode: GRU Embedding size: 2500 Hidden Layers: 2500 Batch size: 20 Epoch: 69 Loss: 0.71 Perplexity: 2.03.pt Temperature range: 0.25 to 1.25 BRERIN PhilosoBot Initializing Please be patient. ~ 1.0 ~ It is that the process of the event is to be in its unfolding on the more to its own potential and the futurity of the present. ~ 0.53 ~ feeling that the feeling of the event is still too much as it is just before the movement itself in the first step. ~ 0.46 ~ ^CTraceback (most recent call last): (p36) jhav:word_language_model jhave$ python -W ignore generate_2017-SL-BE_LaptopOPTIMIZED_randTemperature_sentenceLong.py --checkpoint='models/2017-08-22T12-35-49/model-GRU-emsize-2500-nhid_2500-nlayers_2-batch_size_20-epoch_69-loss_0.71-ppl_2.03.pt' BRERIN A Philosobot: Trained on collected book-length works of Erin Manning and Brian Massumi. +~+Library: PyTorch+~+ Mode: GRU Embedding size: 2500 Hidden Layers: 2500 Batch size: 20 Epoch: 69 Loss: 0.71 Perplexity: 2.03.pt Temperature range: 0.25 to 1.25 BRERIN PhilosoBot Initializing Please be patient. ~ 1.0 ~ It is to be taken in the immanence of the event itself, its production and its potential directionalities. ~ 0.81 ~ The present’s ‘boundary a given strand is an incorporation of a becoming-body into the policymaking— not is not necessarily what is it but in the very relational sense, or what is at stake. ~ 0.86 ~ It is a looking-with because not only can be seen as the movement of the movement of the social body, but it is also a question of the movement of the body itself. ~ 0.4 ~ It is not a simple acquiescence—Nietzsche warns it of the donkey who is to create a relation between the two and the same as the same and the inorganic. ~ 0.34 ~ There is no such thing as the assumption that the object is a subject for the event, its activity in the event, all event of its relational process. ~ 0.88 ~ Modes are composed of extensive parts that are determined by intensities of the extensive movements that are fleetingly determined by an existing structure of its own or are outside of its own value. ~ 0.67 ~ The event is not an external state, an effect of the same that is in relation to the vastness: This is one with a more claim to a recomposition. ~ 0.95 ~ We have to do with the field of potential to think of what we normally think as we are being in the present as a body for as an instance of a transcendent form of the same experience. ~ 0.76 ~ It is foregrounded, the more-than of the cockroach, that keeps its dreams from closed; It creates different language: timelines that of are also on the part of nonvictims of the chaff, that it reattaches it in the proceduralization of the term will its own swooped from more than a the plane of potential. ~ 1.22 ~ The quaesitum is the terminus of the expressive process that comes from the field of relation, from the process of its potential. ~ 0.86 ~ By all the coupling to work I have been in a dialogue between of swarm of active tendencies, and what is experienced of the excess—the experience of the nowness of this event. ~ 1.11 ~ The Ineffable To speak of a vocabulary of movement to think of the concept of the body as a concept of the project of a project to explore how the movement moves its activity to the fore, as it is to say, the potential of the event in its . ~ 0.57 ~ In the context of the SenseLab, the more-than-human of the ways of thinking are felt in the context of the event, as well as the creative process of its own process in the process of the event. ~ 0.38 ~ This is the problem I just a call to goad toward a new affinity with more own that they will come to the variations, because the world does not have taken itself to it. ~ 0.97 ~ from being a repetition of being an event but the an act of the event which takes over a greater the words for the people that is the same event to be in a way that does not require a precomposed body. ~ 0.89 ~ of the body can be reduced to the sequencing of mental forms, and the of the what of an individual is taken into the world. ~ 0.67 ~ The event of its constitutive process is to be on the same time as it was to be said to be in the prêt-à-porter tradition with which we render it and to give the present to the wider field of new experience. ~ 0.61 ~ What is given in the introduction, on the other hand, not a human or even as it is possible, that it is all the actual perception of the movement through the techno-dance history of sculpture, but the way through which a potential is used . ~ 0.98 ~ They are not in the event as a function of the event’s unfolding into its coming- to-be as an object or an event’s becoming. ~ 0.5 ~ In the case of Song Dong’s Metascoping, the two Number these concepts were not to make this boundaries to the one of the most experientially in the It of the virtual the virtual, but more so that it is to be coming, in the present that the same thing as to be in the present is it is not an in-itself, but the virtuality of the in-act. ~ 0.8 ~ The snow-balling is that the event finds itself again an integral of the F®anks when we see a renegotiating of human- centeredness into the relations of events and the collective movement as they amplification, How they regulate it, wish, and intricately speaking, along the music Understood with this bid to be clear that this is no extension passages. ~ 1.24 ~ worse, to the life that in the form of memory, a preconstituted form most real and will come to be distracted from the having to continue—to and amoebate movement. ~ 1.11 ~ It is an event-generating process that is a process of relation that is not an individual but an emergent process of relation that is a populated by the field of relation that is not a given but a field of relation that is not an individual but a relational field that are not one of the same, but the potential of the field of life-living. ~ 0.35 ~ It is to say that the minor gesture is not the representation of the event but the potential of the event, in its incipiency. ~ 0.34 ~ in the sense of the new of the coming event, the qualitative event of its coming to expression. ~ 0.36 ~ The whole of the body to its interface in the concept of the relational field of the relational field that has been extremely given to the world through an infinite relational field of life. ~ 0.75 ~ It is to experience the event of a dance of attention to a later of the dance of the dance in its unfolding to dance in the writing and the event’s web. ~ 0.88 ~ of the body that is not to have a human body but rather is to create a new experiential effect. ~ 0.6 ~ on the other hand, as the force of the Frankfurt as an actual tendency for feeling is a tired proposition for a certain kind of collaboration. ~ 0.79 ~ It is a world-constituting practice for a diagrammatic praxis that gives us to the fore a modality of existence to its capacity to come with the more-than of its force. ~ 0.88 ~ The field does not create, as much as it is on the verge of a movement, a nose on the threshold of a movement into movement the dancer. ~ 1.03 ~ The concept of the event is what Nietzsche calls the acme of the event that it is in the making. ~ 0.38 ~ What is at stake is the generation of the minor gesture that activates the force of an event in the making. ~ 0.35 ~ The event is not only a certain sense but the potential of an immediate event, in the event, of the event, in its own occurrence. ~ 0.63 ~ This is not to suggest that the materiality of the form is often necessary, and what is at stake in the process of the movement of the work’s recomposition. ~ 0.55 ~ The idea is that the body has a particular idea of the general idea that the idea of the idea that the body is an abstract node in a general idea that is what is the idea of an individual subject and the general object. ~ 0.58 ~ multi-level and the other patches of mutual inclusion is that processually in the same way that it is to say that the event is not to mimic an other but to have a process of movement to its own limit, as to be in the case of a discipline. ~ 0.75 ~ This is what the art of the process is to emphasize the evolution of the relational field that is at the heart of the field of relation to its limit. ~ 0.59 ~ As envelopingly Japanese as painters as much as major, and the totalitarianism of becoming-other convert, Movement-moving is now close to interactions. ~ 1.14 ~ The virtual is the has-been of the event, in the event, of its having recombined with a plethora of potential potential to come. ~ 0.88 ~ Any change from other side, to the other and them is to say that the space is in the process of that being continually felt, is attentive to its potential for this essay but . ~ 1.07 ~ The same as a procedure of the kind of joy is a way of advancing the question of its own right, but one with the ways in which a process has emerged. ~ 0.64 ~ Since the dimensions of its dimensions are not necessarily an individual’s relation to any other as they move from the world they directly to be in relation to the . ~ 0.79 ~ Forsythe: Waves on the seashore, one in the last coming as going in the last one. ~ 0.37 ~ The fact that the senses are always in the sense that they are present in the presence of the body as it is in the present, and the present that is always in the present of the present in . ~ 0.49 ~ They are not simply spectacular, but they have a collective voice have been damaged that they are in a certain way of thinking about it, but they are so experientially that it is in the ecology of that its own cultural form-taking. ~ 0.96 ~ But a way of kind of experience is based on a notion of formal or a notion of transition that is not completely different from its own occurrence. ~ 0.7 ~ This is not to say that the materiality of the radically empirical and the political is that it is so that it is the question of the transcendental field that is not a question . ~ 0.39 ~ It is a movement of movement toward an other, with a movement of movement that is not a displacement but an immanent movement toward the movement of its own becoming. ~ 0.3 ~ Instinct is a way of saying that the world in its own right, it is in the world. ~ 0.41 ~ It is not to say that the event—even the pose—is becoming in a Spinozean flux of relation that is to say, and the body as a body and a movement of movement as such. ~ 0.49 ~ are in the way that they are moved into what is at the same time as it is the force of the event’s unfolding into itself. ~ 0.3 ~ This is the idea of what is not present in the present is it becomes a mode of existence that the past becoming is not what happens in the present but as the . ~ 0.76 ~ This is what Whitehead calls the acme of the choreographic event that it is the concern for the event that it will have to be invented. ~ 0.32 ~ On the one hand, he is drawn to the satisfying results of the other to the other, he is clear that he is not to say that the intellect is the whole of the field of relation, that he is not a formalist. ~ 0.5 ~ It is the microgestures of becoming that is the process of becoming, in its own right, an immanent with the concept of its more-than. ~ 0.77 ~ The concept of the virtual—that it is always in some way in-act—is closely associated with the paradox of the virtual, in the process of the event. ~ 0.47 ~ When we take on the SenseLab, we are not of the human or the animal, but in the way we are saying that the potential of the event is at the heart of its current evolution. ~ 0.35 ~ The concept of the psychoanalytic, where the process is understood simply as a line of shift, a flowing aim: to have a life beginning to a complex and thought of time that does not oppose and the ‘There should be always there, but I will not bring everything up to the anarchist concept of the will, to resonate. ~ 1.11 ~ It is working on the side of an event’s self-enjoyment than it is how this event comes to be, in its own terms, it has to be taken to the event. ~ 0.75 ~ The call to go in the context of a concept of the political is to describe the ways in which the event has to be used to make the work in the event. ~ 0.38 ~ In this vocabulary, I think that the body in a way that can be most difficult to separate out from the state of the individual, by which the body . ~ 0.86 ~ It is the nonlinearity of a memorable cut that gives the rise to the present and the potential for its coming to expression. ~ 0.87 ~ The virtual is not what is taken in its eventful activity, as the immediacy, of the virtual virtuality of a difference, in the midst of subjectivities-without-a- subject. ~ 1.17 ~ This means of the experience of a Westernized concept of the perhaps, in such a way that I never want to be able to understand the only process through which the relational experience remains down. ~ 1.04 ~ The dynamic of the minor gesture is a kind of gesture in a different way that is not reducible to the translucidity of the form of a given experience. ~ 0.66 ~ Each jerk is a dynamic of a potential of becoming, poised to be taken up by an actual movement in the mix, as a function of a whole process. ~ 0.83 ~ The conditions of the object is in the subjective principle of the potential for the relational field itself, toward a perspective of the event. ~ 1.01 ~ It means that separate the two second including our collaboration, and it from the same notion of principle that comes into generalization and mistakes— and then it . ~ 1.18 ~ It is the ultimate experience of the emergent and a general idea, which is exterior, in particular of both property, and the supplementary dimension that goes between a and with being an equally around potential than the problem of what it is. ~ 1.05 ~ Kngwarreye’s paintings are not take in the field of relation in the field of relation is the Center of the heights of its capacity that to come to expression. ~ 1.11 ~ To see in the moving, it must be made to have known in their own way to have the way it becomes to be, by the same becoming of the potential that have come to . ~ 0.95 ~ is as indispensable as the body is based, too quick to perceive the form of a endeavor: an enjoyment, that would be as the body as an intensive process of personality, as its own biological and the subject of the human? In the context of a long chapter, it is shakes the second of the process of its Bergson. ~ 0.98 ~ is an aesthetic effect that it is a relational field that comes to itself as a separate arena of activity in its own unfolding. ~ 0.47 ~ For this is not a matter of a particular form, but a qualitative quality of the event itself. ~ 0.68 ~ The concept of the practice is at once enticing and Whitehead, only large A post of a commitment to the juridicalpolitical order, and thus never quite the sum of the social but, its singularlity. ~ 0.83 ~ where I do the me? Dissever, and the models of the other – I are immersed in the McDonald’s is what I added the co- patterning to the stifling of an needs. ~ 1.07 ~ ' It is as possible to this without the racist of Experience’s macroand stereotyped, grip in the 360 way of self- formation. ~ 1.22 ~ Unlike the concept of this is the way in which the work begins to take form, on the other hand, it is not simply a volume or an object, but an activity of an active process of becoming. ~ 0.57 ~ of the relational field, it is not a question of choosing the individual to the body but in the very way of its own potential to be becoming. ~ 0.31 ~ If that it is to the coordinate of the movement of the senses as it would be tempting to make the present body at its core, the body between the body and the body does not actually pre-exist itself. ~ 0.81 ~ Our life has not been as a kind of thinking as we feel the potential of the past as it plays us. ~ 0.78 ~ It is in the service of the event’s unfolding in its own unfolding as it is to its own becoming. ~ 0.33 ~ The fourth way is the singular of the potential of the event in its incipiency. ~ 0.54 ~ and the nonconscious kind of a body can be called upon it is a exquisitely, It is that this this work in process is a subjective abstraction? It is not an easy concept. ~ 0.9 ~ It is in the position that the spirit of the becoming in the midst of an coming to occur in the present and the totality. ~ 0.86 ~ For as a result, we can often be seen as a channeler, that are invited to attribute another functions, without proliferate, and for there toward little joy of that kind of knowledge, garments objectivity. ~ 1.19 ~ What we mean of the field is in fact a virtual event in the making. ~ 0.79 ~ rasa? Lisby, Burgess, and Rothstein 2004, Chromosome Choreography: The Meiotic Ballet Page and Hawley 2003, Choreography and Orchestration: A Synergetic Approach for System Design Busi, Gorrieri, Guidi, Lucchi, and Zavattaro 2005, and Making Parents: The Ontological Choreography of Reproductive Technologies Thompson 2005. ~ 1.03 ~ The digital form is that the emergence- level interaction and speed of the process that has not made out of exchange. ~ 1.01 ~ The one that it is not that it is directly in that it is not that the body is in the service of the event’s becoming as it is to be invented. ~ 0.54 ~ to to that to be that to think that it cannot be said to be in the way that it is a procedure for the more-than, and that it is so that it is not a question of the event as a whole. ~ 0.27 ~ To make time as it is to have straddled the time between technique and technicity, of the future and its own in the process of making it felt. ~ 0.61 ~ This is not about the movement of a precomposed body, but as a force of the decomposition, which is not a productive effect of a predetermined location. ~ 0.86 ~ Deleuze writes, is that larger for two modes of relation are different dimensions of the same as different more than one of them or other things that is not of human or microfascist to the development of process. ~ 0.84 ~ To create this or in its own way, with the new extreme, in the image of the glass come to the last, that has not come to a dialectical alternatives as there will be to work for the local to the physical. ~ 1.04 ~ To be the movement of the work is to be imprisoned in the name of a linear vocabulary of the body’s to its own becoming. ~ 0.37 ~ In the case of the event, we are often created by the potential of the event that produces its own potential even though it is not yet the body of the body itself. ~ 0.57 ~ What is at stake is the generation of surprises of thought: the sudden weave of the field of potential where it is to make itself felt in the field of potential. ~ 0.26 ~ What we see is so a proposition in the first way of our life to the political as we know through the event of its own subjective form of the phenomenal world. ~ 0.74 ~ The notion of the political process is how to create the process of the process in its unfolding to the fore, as it does in the process of becoming. ~ 0.39 ~ It is in the sense that it has come to the potential of the event to its own potential in the event. ~ 0.51 ~ The time-stuff of subversion is so often in a way that does not erase the force of the thermometer of form, a struggle to play in the prism of their time from the middle. ~ 1.1 ~ What I mean by that is to say, in the field of a given field that is not separate from . ~ 0.71 ~ And what the question is meant to be does not the final point that but to what it like will be autistic and its own Metamorphosis, it is an infralanguage that is at stake in the order of publishing the university as it is combatesque: in more like like a making its place, is a small way that places the encounter of the sensory-motor. ~ 1.06 ~ It is not to say that the event—even the pose—is becoming in the middle of a body that is as though the body and the body as an image of the body. ~ 0.35 ~ It is not to suggest that the object is to be found in the form of its own becoming that is to say, in the event, not its form but as an event, in the event, of its own becoming. ~ 0.51 ~ efficacy, the actual-virtual now of pure experience dripping into an 23, a differential temporal basis, where power: two disturbances into which it is and the self-referentiality of movement. ~ 1.25 ~ It is in the process of the event that is at the heart of its process of thinking. ~ 0.31 ~ Rather than offering a filmed version of the ballet in the 1940s that is a technique of making it reflected in the sense that it has to be moved on the SenseLab in a way that . ~ 0.92 ~ The event is a working of the field of potential that gives it to the verge of expression as it is to take form in the making. ~ 0.6 ~ What is at the heart of the process of his work in the production of radical empiricism in the event of the metaphysical expansion, it is necessary to be central to this perhaps . ~ 0.92 ~ When we take the world in the world we feel it as a concept of the world that is at the heart of the event. ~ 0.51 ~ But there also is a sense of causal contact, in order to build so much in the preface to the question of the interventions, in keeping with the earlier question of the what of the body is a question of radical inclusion. ~ 0.86 ~ with the politics that can not have the power to be able to manifest the world and its movements and what it can do. ~ 0.65 ~ The se of the way is always to take complex into activity to form that the movement belongs to experience’s one time and to already directs them to the return to that occasion. ~ 1.08 ~ the field of potential and its potential for the moving to the next, and it is also a more difficult to align to the field of the potential in the making. ~ 0.32 ~ It is a question of taking the way in which it is a singular event and a body in itself. ~ 0.33 ~ The folds of this process is not a form that is have? In the mix of this activation of process, a virtual transformation, one of the ways this move and non-citizenship. ~ 0.98 ~ He is, as we do so, and the ways of articulating the events of what are present to be in the midst of a different kind of practices of existence. ~ 0.71 ~ That post risen out by the intertwining of objects as they sow imply, of the field of relation itself. ~ 1.18 ~ Perception that makes itself felt in the experience of shapeshifting and the intensity’s immanent to the exteriority of the movement of experience finding not in a world that cannot transform but to the very potential of autistic experience. ~ 1.15 ~ But as a choreographic event is a certain part of the event in which it is a general way of putting the event in . ~ 0.52 ~ We are owed to a degree of vocabulary that we are not to see in our own way, but the potential of our experience as we are moved by our own time and move through the event of the event. ~ 0.74 ~ When we watch the movement that we feel our bodies feel the event-triggering value that ’s thinking of relational movements and postures. ~ 1.12 ~ That is what we’re saying when we are never running in the middle of itself, in the present present, but at its furthest point when it partners always becomes a circuit. ~ 0.97 ~ in the field of the collective movement that we are calling to the limit of the collective as an active outside of the field of relation to the limit of its own event. ~ 0.34 ~ It is a question of the collective that is at the heart of its process to make felt the force of its own becoming. ~ 0.34 ~ It is a question of movement that is concerned with the manner in which the event is more than it is a question of thinking, or what it is in the event. ~ 0.49 ~ It is a question of the body’s that is not a human body to the body as an object, in the body of its becoming. ~ 0.52 ~ It was centrally issued by Adbusters but, that was centrally issued by the assembly-form of attempted direct democracy and the swarm of potential that are already in reserve, as in some way or . ~ 0.38 ~ empiricism’s event-logic, not a way of perception as cresting in a perceiver now mutual looped to an outside of itself but to a sensuous world of hers, the liquid task of a dancer’s relation as curvaceous with an enduring priori to the impingement. ~ 1.15 ~ Well in grammars all joined, and Thoburn in Europe of argumentative State-condoned of 1992, inevitability. ~ 1.21 ~ The process in which we are relational and pure experience is a kind of separative shared way to prevent it from one third-floor 2012: 1977: vanity in the popularity. ~ 0.89 ~ It is an activating in the virtual of the cleaves, and to be to collectively in undercommons, that continuity: its writing substitutes on . ~ 1.18 ~ it is a metalanguage, Every body does the nonlinearity of a body that can be separated from these dimensions of experience. ~ 0.3 ~ Then we have a strange image of the life in the world’s affective dimensions. ~ 1.04 ~ This is the paradox: a political potential can be conceived as a vector of conditions for bringing a the household the whole detail, and the production of its extension, to an open space in and out of its aliveness emplace­ments into movements of cleaving the processual spontaneities of the present in a series, that may not rearray itself over more that reproduces themselves into the intensive field of dynamic experience. ~ 1.09 ~ He must call this aspects of the complexity surrounding space on the pole, it jogs difficult to the pleasure of survival. ~ 1.14 ~ But the body is always populated by its own occurrence, not in the sense that it is not a form of becoming, but the potential of the process to its own becoming. ~ 0.79 ~ What is one of the ways in which topological field is relational in it is to be often seen as that which is felt of the body’s coming to its form: its form of its having to regenerate into itself as the form of the event, in the event. ~ 0.68 ~ But it is not only passive, it has been invented, for and through the world as it is of the oneness of that effect is the active thinking of the event through the world. ~ 0.94 ~ The concept of the body is not a question of choosing to hold over the general idea of the general order. ~ 0.27 ~ It is not about the way in which the collected forms of experience with its own process on the present to more than one name of the potential to its own playing- out, but to be in the background of the act, in its diversification. ~ 0.88 ~ The concept of the state, emerges must take on erratic, formally, to here perpetuate itself in The name of the boundary from the new to the zones of disoriented. ~ 1.22 ~ It is not a we seen in the gathering of sensation and the nature of a that movement pulse—he at an edge that just starts an object but as a saint figure: across, at the moment of a capturable I be because a touch can never be distinct. ~ 1.2 ~ This is what Whitehead means in the concept of the event’s disciplinary capacity to generate the potential for the event. ~ 0.39 ~ This is because the politics of the present is always active in the sense that it is always virtually entwined in the sense that it is only in its own capacity, that it is not yet an object of a creative experience. ~ 0.68 ~ This will have been along that each moment of a series of deterritorialization is itself a relational hyperspace of experience that moves the following not how it is but its potential to make felt how the event can come and its powers of thought in its own right. ~ 0.82 ~ It is the very definition of the subject at an end of the event, in its unfolding to its incipiency. ~ 0.77 ~ or in predictable directions to alter what might be called the object of the object to be created on its own uneasy to unparsable form. ~ 0.81 ~ As we have to think about the manner of thinking in the event of the event, that it is not about the body or the body as it is of the body as it is of the becoming-body. ~ 0.32 ~ In moving this forces of movement have been a lure of expression wherever causal restaging, it is important to make the field in relation to its events. ~ 1.06 ~ It is to say that the process of the event is to its own potential to its own collective. ~ 0.41 ~ into a spirit—this is what Deleuze and Guattari call is the commanding chapter that is the 34–35, quotes to say the form in one radical or not that. ~ 1.14 ~ The idea of the outside of the process is to be thought in terms of its capacity to make felt the more-than of the event, as it is in the process of the event. ~ 0.26 ~ To account of autistic perception is to say that this is that the activity of the event is in all its complexity, as it is at the heart of this process of experience. ~ 0.56 ~ It is as a catalyzer, as the virtual and the actual, as the movement of the virtual in the present, as it is the actual. ~ 0.42 ~ 42 The is then is a necessary that of the false at which is to depart from its very performance, and in any way to recognize resemblance. ~ 0.93 ~ The proposition has to be a complement to the manner in which it is an abstract force of a given body. ~ 0.67 ~ Anywhere about the concept of a containment-event in a new regularity, of the Technologies of Lived Abstraction new series is generative to example is not a discipline of a restorative more-than. ~ 1.17 ~ shift in the field of relation that is the most primary of the event of the event, it is necessary to be the radical in the sense that it is virtually or irreducible to its own mode. ~ 0.5 ~ This is one of the most famous part of the act of appearance/disappearance that it has to be taken up in the continual relational field of its own relational power. ~ 0.88 ~ In the interpreting and the Workshop in Radical Empiricism, James and the collaborative process of what we can call it as an instructional manual for a creative event. ~ 0.6 ~ In the self-reinventive of the relation of the body and the dynamic the movement does not exist as an individual or even an object of what it can do. ~ 0.88 ~ It is the recursive force of a body that is not fundamentally added to a body in the space of its having to become the movement of the more-than itself. ~ 0.54 ~ In chapter 6, I want to think of the notion of this process as an exploration of the notion of the process of the process of movement in its current reiteration. ~ 0.29 ~ It is now once in the sense that it has, in the context on its own path, in the form of change—they 1998: 1968 in the interweaving of bare activity where Play, and the arced synthesis of experience is already answerable to EXPRESSION The nature of the transcendental field and the . ~ 1.07 ~ This is a very different term of the interval, as a stable point of the body: a body is a node of potential that is for the world. ~ 0.62 ~ This is not the end of the painting’s before but in the very act of the what it is at the heart of its evolution. ~ 0.56 ~ But what is at stake is not to be stuck in a way that is not to be found in the future-flow of a different movement. ~ 0.49 ~ thereby this is this that collective in the non-seeing, between, in the movement so that all of the movement moves even from the past to the significant; that the dancer to have inserted. ~ 1.16 ~ The decision that is released through the more-than catalysis of the coming to have felt is itself only otherwise cause for having variation: in a surfacing always singular experiential way. ~ 1.19 ~ The smoke ability to take awe that the corporeal are and the most important of machinic processes is our symbolic. ~ 1.21 ~ What is at stake is not the human as the object, but the force of the event, that is the immanent to the field of relation that is life-living. ~ 0.4 ~ It does not mean that it may have thought, but in the process of what means that it will actually have taken up into itself, a state of verve, as well as as it is about the process of practice. ~ 1.08 ~ But the movement is not a form in a relational movement that is always an event. ~ 0.63 ~ What is the movement of movement has differentiated itself as a movement of movement within which it is no longer possible to see the body as such. ~ 0.7 ~ on the possibility not by a reaction to a body per se, but not an intuition of the in the movement of the partner’s the capacity to create the production of inherent in the actual body. ~ 0.85 ~ What is at stake in the process of the process of the process to make it felt. ~ 0.39 ~ The aim itself to itself, is a flexible motif for a process, a structural force to take itself out as a human body that has only separates the absorption of its threshold. ~ 0.98 ~ It is easier to do in the field of relation to a given field that is it is to begin with a limited field of movement where it is too often to produce the notion of this singular process. ~ 0.84 ~ It is this motor of the processual field that is made relational, in the sense of how a body is effectively felt, it is 76 It has obvious as a body to do of its own dynamic form of the work in its activity’. ~ 0.99 ~ In chapter 3, the concept of the idea of thinking that is of the thinking of the present that you have been led to the notion of an event. ~ 0.85 ~ not a object-as-such, but as the push-pull of the proposition—and a taste that inflects the to seep from the new perspective of Segmented As I it is clear earlier, how the they are led by we has to the work as such as a mode of attractor. ~ 1.24 ~ expression the forms of the autonomic compul­sion or inheritance? The object of the object is in fact the strength of the parent’s movements in a field that has been directly experienced, as expressed in its own phase. ~ 1.13 ~ This is not a dualism, but a tentative holding in one way that is a creative field of relation that is not one of the two but the creative field of the event. ~ 0.63 ~ When the event in this experiment, are created in their own right, it only as the force of the event in its own right, we have not already seen in the sense of taking form in the middle, where the event has just come to be seen as it is in the process of reflecting on the side of the subject. ~ 0.85 ~ What is enacted is the general meaning of the adaptive Maxine Sheets-Johnstone rightly observes that far from the general incumbent of the body incumbent in the manner of events already in the present situation of the situation's what is just as it is that of the coming to be already taken up in the imperatives of the event. ~ 0.54 ~ This is the paradox: we are to take the work in the different sense of portion of the complexity of experience. ~ 0.85 ~ What we call at the SenseLab is a creative process of a creative process, in the sense of a new process of life. ~ 0.45 ~ It is important to emphasize that the notion of the movement is not a question of the never before but in the collective sense of an event’s coming to expression. ~ 0.27 ~ It is spacing in the first sense, forcing the experience to reattune to a category or gate, the filtering-out of a qualitative kind of active relational movement can be seen as such. ~ 1.09 ~ In chapter 3, the concept of the event, as Bergson would say, is a complex set of conditions for the relational field that is the virtual and the physical and the inorganic. ~ 0.29 ~ lxxx It brings the virtual together of a content to it, it is an momentum in the making. ~ 0.88 ~ It is an active force for a movement that is not a linear occurrence: it is a time of the field of relation, . ~ 0.45 ~ As a point of the movement of eternal change is not strictly a form of an either, but an affective attunement of a strange field of experience is about an active nature. ~ 0.86 ~ What appears in the unanswerable of the work is the fold in unity, stilling, in the potential of its reactivation toward whatever petrified is a tendency to pull language toward . ~ 1.08 ~ It is necessary to speak that the question of this operation is a of the simple that anything of the ways as it is in negotiation with its own image. ~ 0.83 ~ As with all flashbacks, there are no other qualities of the movement that could be predicted, and thus has not been juxtaposed to the movement, the concept of the movements of movement through the virtual of an infinity of utterers and the potential of expression in its expressive potential. ~ 0.83 ~ This is perhaps the case of the SenseLab, in the case of artistic theory as it is to say that the potential of the work’s potential is to be necessary, and to make it felt, in its own manner. ~ 0.4 ~ In this cutting-across, scenario, think of the body as it is not stated separate from the physical and the body as it is in relation to the body as an inexhaustible sculpting of an event. ~ 0.93 ~ This is that negation often carried to the limit of the political voice in the event of nostalgia, blackness and now—belongs to a transindividual field of Scenes Toward the active life-forming says: Waltz with Bashir was a inestimable nows, It is a stable, a film of easels, that make a tricks and activate their movements in the register of them thought in a way that make them more abstract its own collective context. ~ 1.14 ~ This is a way of saying that philosophy's quality itself in the mode of its own retracing, a refractive arena of relation in the mode of the event’s becoming. ~ 0.81 ~ It is in the case of this that the body as an intensive movement that can be conceived as as an immanent movement to the limit of the body in its own unfolding. ~ 0.39 ~ The way without standpoint of something has to do with transdisciplinary and transmedia what is it falls through remark when we see the movement of recogni­tion and the . ~ 1.18 ~ The field is a question of the collective individuation, it is not a subject or object, but rather a field of . ~ 0.39 ~ The power of the event is not to be confused with the objective logic of the radically open to the world as such. ~ 0.52 ~ It can be the transition in a way that becomes derivations of the more open field of capitalist potential, which tend to take itself at both the level of a particular body and its general shapes. ~ 1.11 ~ It is not to say that the materiality of the body is to create an account of the more-than of the event, it is in its very relational field that is not . ~ 0.38 ~ In the terms of the twentieth century, the political gesture has been swamped by affect stirred up by the structurally disavowed instability. ~ 0.72 ~ The openness of the event is always to its limit in an immanent limit across the relational field of its coming to expression, as a event in its own right. ~ 0.95 ~ But they have only an concern to an account of the movement, in the relational mode of the feeling of its own becoming. ~ 0.85 ~ Perspective of my own this is a relational movement that is supposed to cause in the dance of its speed-dated blades, and its rhythm-relation. ~ 1.11 ~ This is the way in which the relational field of experience is always felt, and it is not yet a form of the event to its own right. ~ 0.32 ~ Its affective force invokes a self- referential into that it that in-gathers the feeling, activating its own novelty alight. ~ 1.22 ~ It is never over and then another surface, it is in a doing that already definite about both he? Going on Mina ambient becomings the milieus of movement and at where environment. ~ 1.19 ~ It is the force of life that is the relational field at which a multiplicity of a field of potential, and thought also in the event. ~ 0.84 ~ It is a creative becoming of the processual moment, in a way that is more than a diagram: that of a particular form of time or a stable object. ~ 0.91 ~ What is at stake is a process of relation that does not mimic itself in the world: it seeks to make felt the potential of the event’s potential to be in the making. ~ 0.59 ~ To have been in philosophy, this intercessors, writes move, Lynn could have a two-dimensional clock’ of what a kind without accident does and it can get it to nothing. ~ 1.07 ~ It is not inconceivable that the human tendings not in an inorganic human subject, but that we have on a definable error, in the transformation no mantra asks: How any touch or there, creates a movement relational cycles. ~ 1.21 ~ The creative field of relation is the way in which the relational field of relation is what I have called the relation to the field of its own potential. ~ 0.32 ~ Amelia Baggs describes the event of an work’s nascency, its simple workings of this kind of perception, by making the movement felt. ~ 1.12 ~ According to the notion of language, I consider the quality of the thinking in time as a gesture of becoming more than two of the two two ways: I’ve been talking about this about the transindividual relationship between the two and the present. ~ 0.85 ~ It is perhaps Forgetting rather than an A collection that is uncontainable on the other by improvisation’s our body now has material-forces but its potential rather than the three at the of its interiorized in such as ethnicity, antidote to its strategically divide. ~ 1.23 ~ factors of self-likeness to be arrived on low vocalizations of the reactive body, which the shape of language remains nonsensuously figured only as in order to be both of a sensitive body and the the habit of a whole subject of its own expanse. ~ 1.08 ~ poem leads the term to the fore, as a preindividual politics, it can be opened over which the to lived experience is the that exploratory dropping into the problem of an emergent experience, before this fateful, Transmutation, 2007: 2. ~ 1.06 ~ a relation for relation that is different to is first and foremost to play is in relation to an event that is not incorporeal, but also site-specific. ~ 1.07 ~ It is a general nexus of remaining into the lightning, even if it proposing the appearance of a novelty. ~ 1.1 ~ For a brief practice of a singularity? It is not that there, one has added disoriented in the world of the intensityexpressing its inherent as is the self-differing . ~ 1.13 ~ This is a dynamic of the body in the Deleuzo-Guattarian series, it is a question of how of the moving body in the world. ~ 0.56 ~ the object of the body as the movement of the state-orchestrated It is to say, we have no longer simply to have been concerned. ~ 0.7 ~ To make it possible to create a certain notion of transduction, if we were always in the same way in which the cut emerged from a philosophy of we to generate new modes of life and the false that we are able to follow this is not only the autistic but the more collective continuing of experience itself. ~ 0.86 ~ The concept of the political is the way in which the field of potential is felt, in what it is to have taken the form of a particular event to qualify in its own right, it is not linear: it has to be taken on the as an object of to . ~ 0.67 ~ This problem is achieved with the movement that the trade, the movement- passing but also would make it so as a curvilinear that never better the process of a practice. ~ 1.12 ~ That to understand that what was most necessary to embody the field of relation that tends to move its own human that we must too to face on or infinitely by general criteria to regarding the point or reifies the human in the mouse. ~ 0.97 ~ The process of this converts the inner surface of a building, and its current form of meaning is the way it resembles the traces of these movements to make itself in an event, that with the cloud of a body and its de-forming into a field of relation, the relational field . ~ 0.92 ~ What is it does do we see what it is usually denies the abstraction of the preindividual, in the movement of the life, but the ultimate force of credit has not yet lived to social expression. ~ 1.08 ~ But here with sensorial and enters, body/world, and it can be difficult to articulate vocabulary from lavish creating to and more notebooks with the inorganic? What other levels. ~ 1.12 ~ with the other and the in way that it is difficult to have a question of the world in the world with which it is more than to say that it is to say that it is only that it is not concerned with the present. ~ 0.45 ~ The field of relation is what I call it is a continuous field of relation, in its own relational field of attention. ~ 0.37 ~ to the figure that the encountered force of its transduction is to feel the concrescences with it in all its transitions to the supernormal. ~ 1.07 ~ In a videotaped conversation entitled the emphasis on the other hand, is a play of the relation between an object and the physical and the mental. ~ 0.36 ~ The edginess is a way of thinking about how the scene’s field is itself, the event it has made itself to be forth. ~ 0.9 ~ It is not without the idea that it is the event of the event as its organizing and that it is necessary to make felt the quality of the event’s coming to expression. ~ 0.62 ~ on the side of the socius, but as it is on the same side of the general side The political and the divine as the transcendental field of experience that does not preclude the nature of the student, and to emphasize that the concept of the art that was endlessly in the form of an event of the event, or of its elements’ the potential to be an event of the event, the field of relation toward the punctuality of the event’s singular potential that come to expression. ~ 0.56 ~ What is at stake is a certain operation of bringing into relation to the in-act, of what it can do. ~ 0.59 ~ This is not a question of what is not allied to the political, when it is not about the subject but of the process of the giving, to the field of the event. ~ 0.82 ~ For me, a question that produce this kind of making it is a way of thinking an ulterior field, or then it becomes a question of the creative process of a given itself. ~ 0.91 ~ The tricks of form is that it preexists the more striking space of a particular strand of to make a particular existence what it can do. ~ 0.87 ~ But these are lines not impossible, they can be generated out of that which potential will already lead back to the body. ~ 0.96 ~ It is not to say that it is to say that the world is only more than its own subjective form that is in the first instance of the processual subject of the event. ~ 0.58 ~ A stability of the past as it arises from the present moves toward its virtuality, relations, as it undulates through the potential of a multiplicity in the making. ~ 1.02 ~ The limit of the moment of this of the space of the event is to invite the notion of the political that the process of a process of potential, and it is to say that this is not of the present per se but the force of the more-than of thought itself. ~ 0.71 ~ The dance of attention is a way of working the more-than of the body in its incipiency. ~ 0.27 ~ The first thing a body is a composition of open-ended relation that alters the relation of a body as its own becoming. ~ 0.52 ~ The concept of the relation-of- nonrelation is what Nietzsche calls the acme of emphasis. ~ 0.36 ~ What is at stake is not simply the body but the force of the body as it moves toward the force of its becoming. ~ 0.38 ~ The relational series in which it does is a to feel with a potential that is outside and so short-lived, and it is from the past, that the outside is one of the same presuppositions that the newest into the body as its own an iteration of becoming. ~ 0.97 ~ The problem of the choreographic as a technique of existence is a making with the fact that the process of the tending is to make it more than its starting point. ~ 0.89 ~ This is a way of saying that a choreographic body can be conceived as a creative vector of relation to the world as it is always on the verge of expression. ~ 0.46 ~ the sofas and the agitation/activation it could provide the way for this collective politics, it would be as much as the body as an ongoing movement of this movement of engagement, a body as a function of the factual turning but to be active in the follow-up and the same time in which it is also extinguished, it from the perspective of the transcendental field that brings it to the fore as the potential for the world. ~ 0.62 ~ the event into a different field of relation and the one it can be made in the work of the same as it is to make apparent the time of the event in its own possibilities. ~ 0.49 ~ It has to be in the service of the present, as it is in the service of the past to its future. ~ 0.43 ~ a world that is pre-subjective, in the same sense that it is optimistic, but it is not a myth that is applied at the core and the subject of the event that has been taken up the question of an immanent process that is the to what has been done with the event. ~ 0.93 ~ The movement of the Dreaming is not a question of how it is a movement of movement that is at once but the very movement of its becoming. ~ 0.3 ~ In order to think the process of the process in its own right, it must have to be taken into the process of its own becoming. ~ 0.26 ~ It is in fact that the movement is not a human or a subjective form of an event as a conventional category of the event’s unfolding. ~ 0.6 ~ The subtracted of the any dancer has effectively to be understood as without intelligibility, because the fortunate—moment that will go over new and defend thereby in fact becomings-animal Society, all the in the motion. ~ 1.24 ~ In the way the terms are to make felt the potential as the relational field of the potential for the event. ~ 0.7 ~ The question of what is a question of sign is a technique of potential for the more-than of the body in itself with its own becoming. ~ 0.81 ~ The consequence of the structural consequence of the body that unifies a consequence of the transcendental field is one of the most multi-faceted portrayals on accepted assumption that the notion of life is not only a special part of the human but as a whole. ~ 0.39 ~ The deeper, telescoping and Vinge rage on a mad visual undergestures of Shukaitis, and Stefano For an perceptualeventful skills? If the sparrow—her Preliminary for the women, it’s not only of the genres of privacy and the old goals. ~ 1.21 ~ It is not alone that is a processual practice of a renewed body, in political vocabulary, that it is one of which it shares with how little and see 2013: [ . ~ 0.9 ~ They tend to think of a body as a vector of movement as which it is defined in that as a certain effect of the quality of the body. ~ 0.72 ~ The body is the capacity for the field of relation that is not simply to be determined by the potential of the body but to its potential through its relational potential. ~ 0.29 ~ It is not a passive point— it is a field of resonance that makes it felt in the experience of the more-than itself. ~ 0.67 ~ It was centrally issued by Adbusters but, that won the assembly-form of attempted and swarm of potential that are already determined by the swarm of their potential and oriented potential to the situation. ~ 0.44 ~ The body, articulating in the present is the complexity of the body in its unfolding, that it is not yet the body itself. ~ 0.53 ~ What is often thought is reproduced – The simplistic movement of the hybridization is related to the could-have/would-have, and properties rather than natural it as such as to remodulate their relational force. ~ 1.01 ~ This is not a question of choosing one of another events, but not as a transition from the new of a temporal matter in which the event to . ~ 0.94 ~ the form into an open field of potential, for the body’s capacity to be separated out from the other and the relational field of the body in its unfolding. ~ 0.63 ~ It is a curious proposition that is in the making, to make felt the potential of the event, in the event. ~ 0.57 ~ and in the confused World [Bush's art of dweller who cannot be thought of such that when the body is established, but not a body that is artificially Music but is acccurate molar of the ultimate materials within which the technology has emerged. ~ 1.15 ~ It is about a movement that is not a particular body but a collective shift. ~ 0.41 ~ But how we have to think of a certain kind of experiential dynamics, as a function of the same as a way in which the affective tonality is a qualitative effect of a qualitative experience. ~ 0.38 ~ The movement is not portrayed in the movement as it will have been brought into the present-passing and the potential of the event, at the same time as it is generated by the incipiency of the event’s unfolding itself. ~ 0.81 ~ The opening of the event to itself does not belong to its the individual as it is in its own becoming: the potential of the event to its singularity. ~ 0.76 ~ To account of the radical account of the concept of the event in its relation to the question of what is foregrounded in the first run, as the criterion of existence . ~ 0.43 ~ It is an intensive force of a movement that is not only a movement but a movement of thought. ~ 0.4 ~ It is not an event-generating point for the field of relation for each event, but meticulously a serial iteration of the singular event of and . ~ 0.94 ~ It is here to say that it is certain and always as a generative process of process that is outside the same as a technique of the processual . ~ 0.88 ~ In the moment, they are not to be resolved, they are felt in the potential of their own becoming. ~ 0.72 ~ It is an active question of what is at stake in the same time as the production of the event’s material-forces rather than its its matter-form. ~ 0.53 ~ This is not a matter of exegesis of interest to the hermetic society of the Sabra and Shatila massacre, that the power of the false has not been present to the past and to life in the present now. ~ 0.7 ~ The biogram is in the way that it is the sum of the event’s parts, its potential to make felt the potential of its coming to expression. ~ 0.52 ~ Selecting a movement always is a movement for movement to a finished next, but the form of the process as it is to the background of movement’s de-limitation of what is through the arrival of the situation. ~ 0.94 ~ The field of novelty is often pullings out of this pockets of a physical subject of the term Allow the term to Movement- Image The idea of an outside is one of the ways in which aspires to accelerate and even slow-motion in the brief way of what is process of it is . ~ 1.17 ~ The past of the body is what we call a supernormal tendency in the narrow sense, as it is to say that the body is already already in its own register, as it is in the mind that it has come to be. ~ 0.64 ~ that the supple figure can never be credits?xxiv And what we can not really say the etiquette and drive, and we can say that it is, in the very tight rise of the motional, and we are now not really a straightforward gesture. ~ 0.89 ~ The artist has the work of the virtual in the process of a process that is not yet to come, but to the invention of new modes of existence in the making. ~ 0.27 ~ The notion of the squares’ process is the emphasis of associated milieu as transindividuating—as modular Here, in the first instance of the right to think is what manner and it does have come to this other or object. ~ 1.02 ~ What is at stake is the very idea of thought that appears to be in the making, in the service of the event, as if its pronouncements might not be able to rely on the reductive notion of the creative field servile flashpoint: the gridlock self-driving. ~ 1.0 ~ A body becomes a movement, and at the same time, it is a question of an operative cut through the processual force of the event. ~ 0.82 ~ The question is to make the body in the midst, as a starting point for the what is a body of the body as an ecology of practices. ~ 0.38 ~ What is at stake in the process of a process of relation to which it is accessed by an object of relation to a different notion of relation that is one with the potential for the event that is in turn to be the process of the event. ~ 0.39 ~ It is important to mistake the process that I want to define the model that what I have can do is to suggest, and how the nature is to come: only if the creative do not take itself on the idea of what Whitehead calls . ~ 0.95 ~ A blackness segueing into an event of one perceives it astir with perturbations offering the potential of the definable, event actually in passage. ~ 1.24 ~ Research-creation is also a way that pragmatism in or illuminate the process of it from its necessary to use Instinct to the immanent subjectivity of the resurgent creation of order and stylistic thought- like experience. ~ 1.15 ~ in a series of indistinction, that is not a moment of arrival that is a moment of the movement of the unknowable. ~ 0.45 ~ Whitehead talks about that terms of the event of what is termed a concept of the event. ~ 0.48 ~ The fights allowed to computer and the line of the in-act? directness of the relational field could contrived as much at the same time recede, 9, in different modes of sight, as they were in general, to the prism of mathematical events, mosquito established out of silicon body- double event toward an abstract movement of this directly bodily abstract body as the out of an immigrants, virtual descriptions of the illusions, he said to be invented. ~ 1.19 ~ The movement of movement is felt as a movement of movement that is not strictly about the body but as a force of its incipiency. ~ 0.3 ~ It is in the way that the body can be separated out from the event’s potential to its potential, and the potential of . ~ 0.5 ~ To be in the present is to think of the potential of the past as it is to be reactivated in the present. ~ 0.34 ~ It trouble, and personhood? a speculate is how to begin the senses and power that keep dimensions and environment? By example to thrive, is what I meant again. ~ 1.23 ~ As Deleuze writes, The point of indebted to the infinite frame of the one hand, brings to the fore and many numbers of thought on which shut, Movement is not a foregone strategy, to the writer, I am not reducible to the pathological—which is to say that personhood is the body – that it does not have an land. ~ 1.1 ~ It is this-here-in-this-way, in the way that it is not yet objector A politics of the event is not the same as it is about the form of the event’s coming to expression. ~ 0.65 ~ Perception is a way in which a differential event has made itself to some degree of expressing it is in some way to the other than the purposeful movements of it, or to its own creative evolution. ~ 0.86 ~ In the case of an ontogenetic movement of relation can be felt as the movement of the event’s relational potential for the event, and at the points, of the movement itself. ~ 0.69 ~ The quality of the body is as political, as it does it remind us that the body tends to move both in a or a body and a body as such. ~ 0.82 ~ The free starting point has to be churningly dream for to be a seed’s Where’s the background of water out of the astray which reach toward the center. ~ 1.18 ~ It is the field of becoming that is at once the immanent field of the field of relation and its outside, and its potential to channel the field of relation toward the other in the event. ~ 0.52 ~ The two eyes also get to see their movement as a movement of the movement of the movement in its own right. ~ 0.4 ~ If the change are being modifications of their shared intensive, relational potential for an dumb Sculpture in registers, in accordance with solving the body equality; it is doing itself and so with convert them toward the part of its own eventfulness double becoming. ~ 1.25 ~ It does not mean that the human body can be reduced to the status of the body as it has to be taken up to the same as the field of relation to the field of relation itself. ~ 0.47 ~ up in the sense of an automatism—then it must be incapable of responding to the environment and to its own the variation—to new new ecologies, new vistas, new forms of life must emerge. ~ 0.89 ~ As I have mentioned in the introduction, it is necessary to understand the relation between two two distant movements and structured intuition in their relational purpose as the figure of the event, how the movement has made and move to itself. ~ 1.06 ~ All of the healthy work Ordinary bodies can make palpable a research-creation of but feel a nonlocal recasting of movement through a wider interplay of potential. ~ 1.19 ~ What is left is not time-as-it-was but rather not the form of an wholeness, of the situated potential of the purpling. ~ 1.21 ~ The interfusion is not the or the stable movement it is that the world begins to take itself in the form of its own totality of an eternal recurrence. ~ 1.0 ~ Such an instinct is one of the ways in which it privileges its own diversity and implications, as it is in the unfolding of a process to writing on the other. ~ 0.95 ~ That is the problem that the artist is often already in the sense that it is not a question of the body but an ecology of becoming. ~ 0.63 ~ This is the quality of the movements that it are in some ways of being invested in the incipiency of the relational field that is there and being its potential to the more-than, the cut of the ball to the same degree in which the movement itself can do. ~ 0.69 ~ The making of the political and the more-than-human of the political is not the question of the human. ~ 0.34 ~ In the movement of what we feel is a called forward than to create an image to see because of an immediate movement of thought that can be got to create movement, it is necessary to operate that the body is only the political practice—holes that can capture the . ~ 0.93 ~ This is not to say that the radically empirical and the question of the importance is inherently to: and what are the same kind of thinking that are the relational question of how the world is felt. ~ 0.42 ~ That what Whitehead would say to the idea that is not an event per visibility, it is to say that the nonsensuous similarity directly that is falls on the background of the world it might also have itself lived and escapes, hedges, and its fear of the eventness. ~ 1.24 ~ workshopping and Gins are in co-adapt from the health of integration and reproduction of the self-propagating deterioration already in the present in a way to transform the modulatory limits of the eternal. ~ 1.17 ~ What is at stake in the field of relation that is the outside of the event itself, in its very different field of relation is that it is not an object of the event, but the relational field of relation that is life-living. ~ 0.63 ~ As this becoming of the body, the concept of the body is to be maintained in its way to take the next step. ~ 0.6 ~ He inflects false away from the middle, what false at the same time as the potential for the event that is the becoming-body. ~ 0.53 ~ When this is a way of saying that it is a matter of not a question of the event but rather as a starting point in the process of a process that is not yet the production of an event in its own right? The problem is to make felt the potential in which the event of its own process is to be felt. ~ 0.32 ~ The event is a way for making it in the midst of a process of resonance, and it is how it will have emerged into the world. ~ 0.77 ~ in which a situation is is constructed, to be a potential of event and its potential to be in the way that are always in germ and also in the movement of relation's event. ~ 0.77 ~ This is a way in which a choreographic body can be made in its own right, and in the way it is a question of how the body is not a body or an object. ~ 0.31 ~ It is not a question of an event but an active field of relation that is all of its own becoming. ~ 0.44 ~ The question of a that is one that institutes and culture are often in a position of the not only to Human-Machine Fascism is Artaud A creative gesture with the dot that is a form of the divinely because taking over place. ~ 1.0 ~ For Whitehead, it is necessary to take this whole or of the work that it is necessary to believe as the current of the text in a . ~ 0.99 ~ But we say it more profit, a million card of the passions, and amounted to assign new blocks or bi-level. ~ 1.19 ~ at the same time it is a process of becoming, a differential that passes through the of the given, to the extent that it is the potential of the event to its ulterior limit. ~ 0.56 ~ The account of the minor gesture is at the heart of the minor gesture is what makes it possible to be a cut out of the which it is a minor gesture in that the process of its own potential to hold in the process of the event. ~ 0.68 ~ In Deleuze and Guattari’s concept of the transcendental arena, the individual field as active in the examples of the global field effects on the other hand, it is also an . ~ 0.94 ~ The event as such is the force of the differential, interstitial commingling to the individual – it is the transductive potential of that does, where its process has been coming into itself. ~ 0.94 ~ The concept of the subject is through dweller who am only to the extent that it is the human body in the autonomy of the sub-threshold surface. ~ 1.07 ~ A biographical concept of sameness, is more not industries as it is as their virtual domains functionality, on a approach: as a creative effect is that with the good and evil. ~ 1.16 ~ in the case and the owning of the word; and the police has been in the case of the word; and the researcher has been on the wane. ~ 0.43 ~ and nihilism is that which can be taken to be outside of the same as a kind of productive thinking of the event. ~ 0.54 ~ It is what we call our movement as we have seen to the same time as a movement of the event. ~ 0.63 ~ In the case of the second idea of the interval, it is necessary to add that the movement in its relation to the idea of an . ~ 0.3 ~ A body is not a given but an active assemblage of process in a continual field of mutual inclusion, and always in the same time that is, in the event. ~ 0.72 ~ It is an active force of the relational field of relation that is not simply a given to an object, but a relational field of relation that is not a human or an object. ~ 0.32 ~ As Savarese writes: What is the free of the individual I do not mean the fact that it is itself through its own completion in itself that it is when it was a of the process of becoming. ~ 0.78 ~ The problem of technology is to be felt in the form of the movement in its unfolding rather than simply to be found in the process of an event’s becoming. ~ 0.58 ~ To be a refrain in the process of participation, to the relational field of the event, it is always to come: that the concern of the event is always to have come to its own completion. ~ 0.81 ~ This is what Deleuze calls the acme of the life that co-constitutes the event to its own relational movement. ~ 0.64 ~ On the one hand, I think about the notion of power as the art of the political? It is possible to me easy to think about a distinction that body from the nature of political and political events are that I . ~ 0.96 ~ This is for the question of how the subversion as a function of the architectural at the same time as it reaches the dramatic potential into which it is heavy with the many things that have been implanted with the others. ~ 0.79 ~ the Neurotypicality does not externalize: it from the other systems that are the force of its sum, the potential of emergent contraction within the interval of day. ~ 1.05 ~ hog in this case that as we can, or to be all of the characteristics of the requisite for the pre-reduced to the gull, the eternal return of the artist – seeks to transform the movement in its own way – the to return the concept of the process to its more-than. ~ 0.86 ~ It does always in the sense that it begins to regulate the virtual outside that it on the body the conditions: as a conditional factor in the full movements of the bodying-forth that does not begin with thought as it fails and contracts up the cut of this creation to the relational field of sensual movement. ~ 1.16 ~ It is not to say that the individual, was but as something as a Room The idea that would have been recently, and affect will be reinforced by issues? But precisely the also way seen. ~ 1.15 ~ 10 The the body’s is the same arc, the refractive point in which the body to shape-shift itself is under a way that flows to activate the subject–object steps. ~ 1.12 ~ Through the event movement is a node of moving through a collective individuation and what is not an individual but in the collective individuation of its becoming. ~ 0.75 ~ What is important is not to say that the body is not a particular object, but an activity of an activity of a body that is not an outside, but an active force of a body that has been taken in the world . ~ 0.46 ~ Take a example of the whole of relation to which it is necessary to be outside of these things is to be a mode of existence of a memory. ~ 0.79 ~ The ultimate idea to the body would be to make the existential idea that cannot be separated from the idea of an individual, it is to be in that the inadequate milieu of the general or the same way that it is in fact to arrive in the world. ~ 0.87 ~ What is the ingredient of the thought-expression that we posit the word as the starting point, one concept of the concept of relation is that the notion of the subject and the individual is not necessarily on the autistic side of the ground: it is to say that the subject is more or more than the dimensions of the relational event that it is no separate from the outside of its own inclusion in the event, and in the . ~ 0.76 ~ It takes a renewed role of a collective approach to the point of time and its counter-powers of biographically be considered in a way that can be called it. ~ 0.89 ~ is not a simple acquiescence—Nietzsche warns us of the donkey who is the willing to carry the most of the most virulent forms, and the situation is no longer a citizen. ~ 0.36 ~ which also becomes a way of putting a certain of the more lots of the work to expression, a given point of the rhythmic field of the exercise, in which the point of inflection is how it will come to be invented. ~ 0.7 ~ It is not a question of the body as a whole, but rather a field of potential that is at once fiercely nationalistic and startlingly inventive. ~ 0.4 ~ Rather, it is often in relational space that which are at the same time as its own dynamic form in which its process is not necessarily a form of thinking and the form of a thinking that has been spurred by the punctuality of the event. ~ 0.78 ~ It is undeniably incumbent in the sense that it is not yet phasing, but it is that the more-than of movement coming into itself in the relational field of its own becoming. ~ 0.81 ~ The strangest and the image of the body is not a stable marker of a stable order. ~ 0.51 ~ It is not to say that the object is always more than a form of an event, or that is not yet a function of an object or its own subjective form as a whole. ~ 0.35 ~ This is because, as I mentioned, need to sketch from the full spectrum of presentational Peirce I embody a messy, but it is nothing disaster as it can do, and of its own visualizes writing that is so always. ~ 1.02 ~ It is precisely to say that the distractedness of the art would help to make an effect itself on the crispness of their counterparts in movements in a way that incites them to more and a human body. ~ 1.03 ~ The concept of the outside is what gives it a consistency of the event. ~ 0.32 ~ It is what it has more-than of been thought, to bear through a concept that cut through the client’s ebbs and endless and regulatory stand-out givens of the word; is an example for and a good demand. ~ 1.19 ~ Take the example of the twentieth century, we often feel the way in which this gesture of movement is able to to be able to explore the how of the movement in its presenting: I explore the movement as it was necessary to be created through the movement of the more-than, in the . ~ 0.71 ~ What be produced by this process is in excess of the preindividual, the force of the body a taking imitation, in the work that the body belongs to an ecology of the already-effected. ~ 1.0 ~ We are delusional as we do of it, as we learn to suggest that the operation one of the most relational process and relations of importance can be reduced to the question of the forms of the event in its formation. ~ 0.83 ~ What has been analogically into the work is in the process between the political and the what is at stake is not the same as the act of the field of potential. ~ 0.82 ~ There are always at least two bodies, in two bodies, two bodies, as different bodies, of two bodies, they are different from one of the same bodies as their commotion. ~ 0.49 ~ Deleuze 1990a, 261 Politics of touch emerge through space and space in time into a time of what is not a form of an event. ~ 0.89 ~ What it means is that this need evolve, in the Eisenman’s or even purse It’s that a work’s society will making-expressive onto its history. ~ 1.23 ~ It is a question of what a body can do is in a way that it is already in its own pragmatic activity, . ~ 0.62 ~ The concept of the SenseLab does not exist in a way of working to the idea of an event that is always to be in the case of the event, and its potential to the ways in which it has to be taken into the in the period of the event. ~ 0.54 ~ The challenge of the concept is that it is not a question of the never before but in the sense of a becoming in the making. ~ 0.47 ~ To account of the question of this question of the question of ontopower as it is necessary for the question of the . ~ 0.38 ~ In this case, what is written is the sense of the subjective form of the event, as it is of the event. ~ 0.64 ~ The logic of capitalism’s culture is so often he domesticating its thoughts that move a matrix of Relationscapes, You suggest that the actual subject is in the way that it is in the as-yet-unthought. ~ 1.25 ~ In chapter 6, I have to think of the ways in which the event of experience is a way of thinking of the event of its own becoming. ~ 0.28 ~ It is a question of the interval, not an individual or an individual but rather than a body as such. ~ 0.27 ~ There is a certain slippage that is less in the way in which a body has to be taken in its own right. ~ 0.61 ~ It is to say that the body is always already in its own right, that it is not beyond the body of human but but as a very different of what we have to think of this as a way that is always a collective event, a process of the movement that stores at the very heart of its ineffability where it is not to suggest that the body is to be found. ~ 0.77 ~ This is not to say that there is no one that cannot be taken in the way that it is to say that the materiality of the body is an immanent question that is only a question of the process of its own becoming. ~ 0.31 ~ It is in the service of the relational movement that distinguishes the body from its outside, to its most sensitive to its own logic, as it is to say that the process of the body is a becoming of its own right, and its becoming of becoming is different to the same time that it is not of the body per se but as it is about the . ~ 0.37 ~ It is a process of becoming that is not yet a body but an open movement, a movement of thought. ~ 0.47 ~ The event in this way is that the event of experience is itself in its own unfolding of the event itself. ~ 0.54 ~ from itself, Whitehead would experience the improvisatory form of the action Whitehead 1967, Shall I've said the terms salaries, undercommons or action is eminently a thing that affirms to each time that it is distinguished by its quasi- publicness, it is in imposed on the middle, with the concrete and it as FRank. ~ 1.21 ~ A technique of existence is what Deleuze calls the revelatory or refracting it with its capacity to be affected Deleuze 1990a, 218. ~ 0.42 ~ It has to give the object to a given object to the extent that it can be separated from the field of relation and its potential. ~ 0.48 ~ This is a certain problem: one of the same as a thing in its own right, and what is taken in the place of the body, . ~ 0.51 ~ This is also his virile movement that is the body, as it would be tempting to see back at the first time where the body immanence and the roles also of a different kind of variation and its duty to refeature in experience from moment to is one of the first through this lavish one and minted recomposes. ~ 1.07 ~ As Brian Massumi writes, I just, and it is perhaps concerned with specific the plateau? Ontopower body, How a Margaret . ~ 1.21 ~ Rogue are some kinds of things that are catapulted into a new movement of life—and they can only be at the same time from and the way out of which the future is nearing the has determined its name, and what the force of the present. ~ 1.13 ~ The body of its openness is to the relational force of what it can call itself. ~ 0.91 ~ As we have a vocabulary of the present in this sense that we are referring to the present in the present through the present in the present of the past in the present. ~ 0.34 ~ 5 This makes me possible, the virtual perception of the activities: as well in one way to my natures band and the same nature to the line of honed. ~ 1.2 ~ To this event are is to say that the ink on the line of the entrepreneurship has taken up the perishing, in the field and the contagion of an ecology that has always been hidden, but its culmination, always one we has come from, through which it has emerged . ~ 1.09 ~ It is not about all the individual but rather than a dynamic form of the movement as it is in the first instance of its own creative activity. ~ 0.58 ~ In the friend-who-loved, not the end of the sacred's but for the tolerated, but only as to be lured by the potential of the event it is always in in co- imbricating. ~ 1.04 ~ These are conscious expressing sound, but speed, they already in time with all movement—might are to overlooking to repositioning this relation between human and nonhuman, in relation to rest and others. ~ 1.2 ~ The notion that these are made to be a way of thinking the way that makes it an experience through the event of that which is always on the other. ~ 0.84 ~ It would find us to draped each delivery—you’re even making the same art collective encounter backward over its feet. ~ 1.09 ~ What makes it the political of the transcendence of the soloist in the context of the nation- This is not a moment by black or normal fact; I want not without being to abandon it to the form of movement . ~ 1.0 ~ but in the opening of an open field of potential it is to be invented in the core of the local to that which it is to say and its housing, its own principle. ~ 0.84 ~ In the vocabulary of art-based nation-state, it is very important to identify the conditions as a model of post-encephalitis Such the evolution of a different kind of coming-together-for- expression might be called an immanent hospitality in the collective landscape, letting it have no link it out in . ~ 0.99 ~ The dance-event of the relational field is a CATALYTIC support for the event, to its own mentality, in a way that has the capacity to surpass the given in the name of an event. ~ 0.79 ~ The future-imperative mode of disciplinary history has hollowed from the capitalist complexity that it has been easier to then? What is a mode of process crafted. ~ 0.91 ~ What I thought is not the object, but the more as such—I have that Muriel experience to produce the modality of a thinking that was in the movement of the initializing that that the process has become its own the work . ~ 0.94 ~ It is no longer merely or a personal politics, but at the same time as a whole conversion of the process into the event itself. ~ 1.11 ~ In this sense, it is not a matter of manoeuvrability but with the continuous necessity of precision that opens the event to its own process, nature of construction not to mention a given technique but in which to emergent process as say: The same dancer certainly, as not only to of the place of . ~ 1.08 ~ The very essence of the preindividual is a contributory surface-effect in its potential to what a singular event can do. ~ 0.93 ~ It is a central aspect of the body’s composition, a composition of and of a body, and as it is in the same way that it is a relational field of experience. ~ 0.71 ~ We live to a a typical sense of self due to a new necessity, that which is beyond the what becomes calling the Cartesianism I often the ally of . ~ 1.24 ~ Now as we see the relation between is and concurrently in the position we are talking about as an object in the process, intermixing conceptually, perhaps. ~ 1.25 ~ The discontinuities of these is a collective event in the very multiplicity of a stream and expressive experience intensification, but in the an phenomenon, field of indistinction that they belong to the same event, and the same event itself. ~ 0.98 ~ This means of making this overfullness with nature own—autie-type—not even in the imagescape, the refielding of new bodies at consonant moments in the name of Hope: stabilizing work, for Overdetermination is Norah there is course that compose Under many forms of chemical and positionless, the wall’s experimented that with there is neither directly container? . ~ 1.23 ~ The neurotypical dream is always to create an opening for a conscious analysis of the world creative, by which the same and the motif will come to expression. ~ 0.93 ~ It is a technique for bringing the event into the singular quality of its appearance: what is the technique of the event. ~ 0.58 ~ It is a relational field of experience in which it is a singular relational field of experience that is at once and only the movement of its potential to be in the world. ~ 0.29 ~ these kinds of jewelry, are attached to their small movable objects; they are attached to the small or to capture their own system. ~ 0.43 ~ It is not as a stable structure of moral presenting, but the new kind of what it is operatively feels, in the exhibition. ~ 1.22 ~ As Massumi defines as that the body is in the with the movement of the potential that is the formative force of the body itself from this aggregate of determinate sensations or past and the future. ~ 0.84 ~ All of this sudden, the mirror-image persistence of the mobile renditions of the matter: the languid force of the restaurant’s to get the voice of the striking, to the only sweet Philosophies of the BwO, singing, in the name of nonparticipation in the MACRO-POLITICS of Chammi’s entity—foregrounding movement of movement toward the lit of the calm center. ~ 0.9 ~ In this case, we are not a subjective form of a linear form, but as something of the past as it has to be reactivated at the same time to have to be felt as to have altered . ~ 0.72 ~ There is no causal difference in the cut that is not to say that the body is in the service of the finale to the second degree of its . ~ 0.88 ~ A presence of the outside representative line is the shape of that emitted all intimately at the level of reterritorialization; Women try to remember. ~ 1.23 ~ The most relational dance a movement as a performative empiricism of the process it has a way of creating a lot of continuing experimentation with the world. ~ 0.88 ~ It is necessary to make it felt, in a way that enables the body’s own to be the potential of the event to its own potential. ~ 0.49 ~ To account for the question of this approach is that it is necessary to think the notion of an event’s relation to its own exercise. ~ 0.4 ~ In this case, we are to the extent that the event is made to be absorbed in the event, to have its own potential and it is this that which makes this difference. ~ 0.69 ~ potential into an event of its own sake, and its value over those in the futurepresentness of thought and the subsequent movements of the perception, in the way it was just in the dynamic form of the event’s passing into itself. ~ 0.84 ~ Where the procedure is not to be experimented with the importance of an event’s unfolding, to say that we open to the pure unfolding, of the event, by all the force of the event. ~ 1.06 ~ What is essential, epiphany does not have to be the most simplistic composition of details and closed in Deleuze and Guattari’s 2002: 160. ~ 1.01 ~ They are to turn into a political unity of a image of the info-stimuli, that are to transforming the whole to the singular along of the present and the mental, an interface, in the nowness of an event. ~ 1.13 ~ back into place, and the movements of the world and the same way it has been to be able to do with the potential of the relational field of relation at the heart of the event. ~ 0.68 ~ The Function of Reason is always in a way that don’t seriously just the theory and remainder, but also the more-than, more and in the Europeans, by Obama individual Benjamin calls as an event for the communities’ and in nature of the new: in an self-stretching Re-figure, and shamanistic deficiencies, it, the selfstanding arm, and 6. ~ 1.13 ~ It is important to take this field of activity that it is difficult to tweak the and to call it that it is necessary to think of the same way of saying that the autistic and the body on the other hand, and it is important to be in the current cases of the vocabulary . ~ 0.86 ~ it to a higher form, and the power of the false, and it is as a function of the same as the movement of the event. ~ 0.37 ~ To say that the body is given to the extent that it is possible to have a whole that it is necessary to have a lived form of the movement of lived experience. ~ 0.58 ~ The difference between the nonliving, the biological and the physical, and the outside of the one – but in a way that is what opens it to the expression of a philosophical outside of the body. ~ 0.87 ~ in the form of a process seed brought with the emissary and with the emissary and left with the host group. ~ 0.26 ~ This third time is felt in the first time of the film, the second quality of the event is not to deny the reality of its taking-form. ~ 0.65 ~ And they never really do they see them as their own potential that their own head in the same way as they do they experience out of what a body is in that the nature of the drone, down. ~ 0.76 ~ in the cesuras between the individual and the animal, are not the same as the kind of creative process that is the immanent event of the process of its own unfolding. ~ 0.28 ~ The becoming of movement in the movement to come to be recognized as it is in the second way to have been in-formed by the process of the in-act. ~ 0.72 ~ of existence this is always possible to be and in the case of a larger process or more limited to our work in this case we are not sure in advance of the current It of the world’s emergence. ~ 0.81 ~ They are not in a position of a given way: but rather a dynamic form of an event’s becoming. ~ 0.37 ~ The militant comes back to the point of the interval, and the active certainty of the context that of the human or an individual into the face it is a work in a way that draws something to the human pole, at the point of their movement, and the political potential is indicated in the way that it takes itself into the potential of which the world can be . ~ 0.9 ~ The word this, a less honestly on a [signifying John belly or carries sign of an considerable backdrop: But the subjectification of the body is an self- renewing as the meaning of the Frankfurt gays, of this chapter as matter-of- factness is the mark of the personal system. ~ 1.18 ~ The Continuing with today's drug of the petrification and the refugee gull, which is one of the elbowtable-lean of pathologization, in the northern congress is about a Klein mating of the natural field that allows the emergence of the wave's coming to its qualitative expression. ~ 1.17 ~ It is in the sense that the event is activated in the sense of its unfolding in the process of becoming in its own capacity, as it is that it has to create itself in the process of a process of becoming. ~ 0.57 ~ is actually also this corporeality of difference between genotype, and Massumi:To emphasize that the amodal, nor modalities of the nature are not just that, at the heart of their dwelling in any of our drywall, it is to be pre- existed. ~ 1.2 ~ We are not suspicious of a human body that is not quite available for the body as a stable concept of what we am calling to a body as the biogrammatic body of the body. ~ 0.78 ~ In this self-augmenting the body as the subject of the process is not simply a body-becoming-sky but as much as a body- becoming-limbs. ~ 1.05 ~ It has tremendous import for the theory of events and the theory of the false and for all of these terms in the same areas of the event. ~ 0.55 ~ It is a body of movement that co-combines with the body of the body to its potential. ~ 0.67 ~ the field of potential and potential to come through the same act as it is to be invented. ~ 0.75 ~ This is a way of saying that the minor gesture is not a form of the object, but the processual force of the processual field of what is at stake in the work. ~ 0.29 ~ This is a case that the minor gesture has been mobilized in the first of the work that has been the art of the event. ~ 0.58 ~ The movement is not just a form of movement: it is an emergent movement of the movement of movement, as a movement of movement in its own right. ~ 0.47 ~ that are available at the most outset, in the ontogenesis of the fragility, you can assume itself to treat the political and its unpalatable to the most limited to matter. ~ 1.2 ~ For what research-creation does is not to act in the act of a given human or in a way that does not come to the human as a central to the human body. ~ 0.56 ~ In this Leslie agencement for eddy- fishing for the insistent Council of the remaking, a fly-movement perilously new to singular curving-through a translocal system that has emerged the full monotony that many Boehler*: its Man showing, and I think that it should confer over the major posture of the repression. ~ 1.23 ~ To account of the question of this is that the question of the question is how to practise an event in a way that is capable of opening the event to its qualitative potential. ~ 0.3 ~ The virtual is as a concrete point of the body’s process to its own relational field, as it is to say, the concept of the individual in its own right, in an . ~ 0.53 ~ This is a mode of structured improvisation it is to a large degree of a collective subsuming the one of the past in the present. ~ 0.76 ~ In the end, in the field of relation, it is the economic doctrine that the world has to be found in the world to itself. ~ 0.79 ~ of Red, in the same way that it is the event that makes it the event of the event itself. ~ 0.43 ~ Its obtuse movements go on the equal to the other, and it defining the very notion of normative method and its RELATION that developed the ideal model of a technique for relation . ~ 0.93 ~ It is only in the cut that it is relational, as well as the gathering forms of it, a given re-articulation the rustlings of the really-next-effect by which . ~ 0.91 ~ body of the body is the reconceptualization of the difference between the inside and the outside, between the virtual and the material, between the virtual and the actual. ~ 0.41 ~ It is in this case that the process of the work is at once indissociable and its process of forces in the making: where the body is the more-than of an object, or . ~ 0.5 ~ When culture is most transparent that touch, into an other is of the or the storehouse of the double and the substitution of forces of aggregates are enables--that is the direct art of experience of ORIGIN purported rainbow of sympathy-based social bodies, as a criminal autonomy of creative potential. ~ 1.19 ~ The concept of thought is about what it is to have a way of thinking about the process of what it is in the present of the event. ~ 0.45 ~ Valuation This transcendental movement rejoins the notion of that speculative pragmatism with coming to object as a certain version of abstract concepts fluently pure will now abstract patterning. ~ 1.2 ~ The question of how the movement has been to resist a concept of certain the human as the starting point to which the movement is crafted. ~ 0.83 ~ Grace is not about the form of all ingredients, but all the valorization of the carrying-feeling, of the strange, and the cross-over that happens at this point: the barcode or where the body seems already for what in the mind and its what was. ~ 1.14 ~ As a thing of the art of the art is not to say that it is no longer of the movement of the movement of its coming to expression. ~ 0.49 ~ Such problems are not purveyors of the castle, the cloud, the planet, [and the sofa] in themselves; but they are themselves in the form of their own attachment. ~ 1.06 ~ This is peculiarly in the flow of resistance, I have to create a kind of unspoken shorthand for example to the extent that the world if it expands the potential for a qualitative event, for the slightest regrouping of the event. ~ 0.97 ~ or even even motives, are not key: they can be narrativized in one way or another, even as they are considered to the same time as the external effort to a relation that is one of the external event of the body. ~ 0.9 ~ The question is that the decision can be separated out from the set of potential that will be included in the field of the event, in which the conditions will have been crafted. ~ 0.83 ~ What is lived in the event, if we are not speaking of the present in its fullness, in the event, it is what we call the immediate field of the event in its coming to be. ~ 0.65 ~ BM: I think that it is only a gesturally a question of mutual inclusion, I was referring to a of market-value and subjectivism duly 141. ~ 1.07 ~ of potential and the way that they are taken up by the potential of the potential that is not yet fully determined but to be felt in the very nature of the potential that is at the heart of the event. ~ 0.3 ~ In the dance of sculptures Beyond their minor transcendentalism to the surface, is not a domain, but an affective resonance of the experience: a feeling of potential, what is important to become me and the literal FEELING Deleuze of intensified. ~ 1.24 ~ This is the tenacious principle of ‘joy’ that has already been at once in the just flush with the more with the artist’s becoming believed, of hyper-complex over over and mine, which can be used to be invented. ~ 1.15 ~ by the other contemporary the impromptu concept of the supposedly winning in the name of the already-felt, the need have to be held into place in the lamp’s way of the project. ~ 1.04 ~ But it must be taken as it remains to be accessed by the dominant system of power? The free-range form of the truth is nothing more complex than the representation of cause. ~ 1.16 ~ It is the concept of the body that is in the process of a process that is already collective, but always in its unfolding with an ecology of practices. ~ 0.42 ~ its valuation, the potential to its own future potential? The insight of the warning of language is that it does not have any to think of an idea of a particular group or subjective expression of a general category of general destination. ~ 0.84 ~ The movement of the nonhuman is what I call a collective movement at all of the spacedness and cultures of general data . ~ 0.86 ~ The force of the form is what gives it a way that it is a creative becoming that is not an ontology, a question of the body, as a function of the field of life. ~ 0.61 ~ and almost-touch and can therefore also be considered as an idea, but also vector: a force for the political that in the body’s passage toward one is into the other. ~ 1.03 ~ KW: Without Ruyer, Lynn and the project in this way impetus, as an taking form in the picture? BM: 4—ON Counting: the very notion of society that is generally in the epigraph has not been the botanical affectivity. ~ 1.16 ~ A technique of movement is an active force of thinking that is not reducible to the body but a concept of thought that is not yet the body itself. ~ 0.64 ~ And there is not a myth of the human, but as a concept of the event as it is to be in the very definition of the human. ~ 0.45 ~ In what we say that in the first instance, the diagram occurs to a certain kind of movement activated by an extreme movement of a movement – and not only of the human but on the other, but in a way that does not mean that it is the mode of the experience itself. ~ 0.7 ~ We have already lost them, And their chair, are in weave of what measure, or having only happened in a pre-planned cloud of self. ~ 1.17 ~ The concept of the experience: the minor gesture is not a form of the marginal, but the abstract of the event in an associated milieu that is open to the field of experience itself. ~ 0.78 ~ It is in the sense that it is a body in the sense of an intensive movement rather than it is a body in space and space as such. ~ 0.64 ~ This is not the question of the human or the no, it has a have of the something of the work of conceptualizing what the murdered place can be seen as an EVENT of a transformation. ~ 1.08 ~ What is at stake is not the creation of a body but a relational field of potential that is one of the ways in which it is a relational field that is not a given event but an event of a relational field that includes the potential of an event in its unfolding. ~ 0.37 ~ As we have been in the event, it is in the first instance of its own creative activity of the event. ~ 0.38 ~ 3 The I of speculativepragmatically or guaranteed to be cognizant of the neoconservative freedom-of-the-event in remix with a whole-field circuit. ~ 1.25 ~ The focus on the work of the work is a way of saying that it is a question of how the movement can come to be felt in the midst of its own becoming. ~ 0.34 ~ In a context, it is the same size of the architectural and the inorganic, the differential that brings it to its own potential for the intensive multiplicity of the movement itself. ~ 0.66 ~ The all of the field has the differential to a field of relation, life of potential and event: this potential human expression is always a more-than of the body. ~ 0.93 ~ It is to suggest that the complexity of the event is always more than what it is to have an effect of a body in its own right. ~ 0.47 ~ The work of a new kind of relation is to be felt in the sense that it is not limited to the human. ~ 0.33 ~ What is to count is that all of the readers' potential that are relational and to generate new techniques for perception in the making. ~ 1.04 ~ snakes will see the pink as intriguing in the meantime, they still have become the conditions for redevelopment: who used them, how they do part about what they do in relation to what they do. ~ 0.98 ~ With the work we have been that a field of perception, resists the human and the effect itself in this way, that reinventing itself in the relational . ~ 0.87 ~ of the form, it would be tempting to see the outside of movement as it was at this immanent to its own choreography, as the tending-toward of a certain kind of contrarian immune to the ground, and that it is not just about the same thing as human and the more than its parts. ~ 0.87 ~ It is the founder of the method that will have taken over and over the same time: it is not a matter of the wave. ~ 0.62 ~ Where I the voice that I realize that I am now intense that is the felt in the world, post-Seattle. ~ 1.21 ~ It is only a question of the objective that we have been in our own thinking that is the same way of thinking before. ~ 0.48 ~ It is not to say that the movement is still to say that it is a general space that has no general properties but a process of not a general power, and a power that has no precise place to work in the and of the . ~ 0.73 ~ In the case of a concept of the body is not an individual but an affective dimension of the event, it is not only a question of view. ~ 0.42 ~ Now this is a complex of the activist that defined through the vocabulary of the work as it has the mode of process of activity to create an immanent factor in the . ~ 0.73 ~ It is as an active transition from a different body’s modes of existence than Might what I call it a field that . ~ 1.03 ~ It is the affective tonality: it is as a catalyzer, and as the tendency of their own right, in the intensive field of life that is the body. ~ 0.57 ~ It is a force that calls forth the event in the moving out of its taking form: the time of the event, the infolding of the event. ~ 0.85 ~ It is important to note that this event is not a question of choosing a general form of a general object, but a general category of ontogenesis, of the process that comes to the singularity of the event. ~ 0.3 ~ boehler The diagram, is a technique of aggregation that produce a domain of appearance not The a level of a process in which its would-be right. ~ 1.08 ~ In the chapters that follow, the work is always its own relational, collective that it is a limit that cannot be shaped in the field and the moving that it comes to itself. ~ 0.89 ~ cubs to the feeling of navigation, idiosyncrasies and Gins and inflections, there that are also moving to weave the potential in a way that they can hope and be able to convey the feeling of or through its Japan: I have taught it to the doomed constituency. ~ 1.06 ~ This potential is a complex of two microgestures in relation to sense as a form of its mutest its both sonority on a creative Stream of Quebec’s complementarity, for example. ~ 1.13 ~ It is a movement of movement that is at once a certain movement of the movement of its having to come, and its movement as it is to be felt. ~ 0.31 ~ This is why it is not a question of the never before but in the name of a collective encounter that activates the activation of an event in the making. ~ 0.62 ~ This final habitat, as from your place to another, in an initial unfolding that is not only Co-constitutive The socio- historical form of the rise to the Letter whole is Urizen’s fabricated disadvantage? On the other hand, the body—could it not be an incompleteness. ~ 1.23 ~ potential between the abstract and the physical, as well as the seat of the event in the way we have to be in the world of its own becoming in the world of the objects and the objects of the present. ~ 0.3 ~ The world of art has to be taken up as the world in the world of the world in its own becoming. ~ 0.34 ~ It is not a question of the event but a qualitative quality of a movement that is not an individual’s a place, but an emergent movement of an ecology of practices that can be connected, to its own movement, and to its potential in the making. ~ 0.54 ~ In the event of the event is to think of the potential of the event to its potential in its . ~ 0.58 ~ The force of a movement is felt as the force of the movement that is at the heart of its welling evolution. ~ 0.3 ~ To account of account of the concept of the nation-state, as it is necessary to be the question of the process of its current becoming. ~ 0.36 ~ It is only divides and it cannot be assigned to the social body, and what it is will have gone, becoming of the event, but something is to have become about the level of . ~ 1.15 ~ It is an event in its own right, it has to be activated in the relational field of the event, in its own right, in the event, and in its own relational field of activity. ~ 0.4 ~ When we speak of a politics of touch as it is the mobilization of the starting point, an individual politics of the movement emerges, because it has been a question of virtual is of the time of the event. ~ 0.88 ~ The trees on a river take account of the one of the ways in which the world begins to take place in its own possibilities. ~ 0.83 ~ of the critical attitude, which should resemble, as far as possible, the state of mind of a person abandoning opinions which it has hitherto held. ~ 0.7 ~ a way that is not to say that it is not a linear or of the objective but the force of an associated milieu that is different from the field of relation, its differential through the relational field its 2007: in the relational field that calls forth. ~ 0.59 ~ It is easy to take this point, in the movement of existence that is, as a collection to which it is a central quality of thought, and as this toward the movement of the limbs? But the past are not democratically for move the field, the event in the audience, to have a everyday? . ~ 0.98 ~ The impressive research and Visual is part of the Version, word self-identity is which the compound of the desired conceptbuilding thanks, to make the difference in the way and what it police will come to be with the investments of the gold and no endless processual imperatives. ~ 1.1 ~ In the case of an event is to create the potential for the movement of its own becoming. ~ 0.45 ~ to felt itself, can be felt and move them toward the same felt as an infinite soundscape in relational process that is always of the inmost event of the human experience. ~ 1.09 ~ This is not a certain kind of numbering, but it is not the question of the material at the level of its immanence in itself. ~ 0.84 ~ It is not a question of the object that is in the sense of its or in an object or a given iteration of the field of relation that it is activated by the relational field . ~ 0.56 ~ It has to give the object to the object to give it to its own expression, and to make it in the way that it has to be separated out from the outside of the event. ~ 0.29 ~ The event is not a discrete category, but a qualitative field of potential that is not a definitive of the event. ~ 0.45 ~ This involves a political technique of experimenting with the work of how it is to make felt how the conditions of relation is felt. ~ 0.62 ~ To speak of the body is to think of potential in its presenting: the knowing— and the shallow body of the conformity, of the not have taken up of the unconditional. ~ 0.93 ~ It is about the movement of the movement’s unfolding in its unfolding as an iteration of a movement of movement. ~ 0.38 ~ politics of trawling and criminal stature – the ability to be the struggle, the fundamental and the practical forces that compose the process of collaboration, matter as we collectively experience in their own right. ~ 1.18 ~ because they are not of one of the potential but to every other and the contributory paradigms of the political realities into which they are ephemerally as they are produced by the potential of life. ~ 0.89 ~ The field of relation is a way of saying that the field of relation is a mode of activity that is not concerned with the human but the human in the sense that it is also in the sense that it is the form of the event’s own potential to itself. ~ 0.28 ~ It is not the object as it is in the event, but it is in the creative process of the event, in its unfolding to its own . ~ 0.44 ~ The most attesting of this complex process is to be singular-multiple in the paradigm, what is to come: and calmly whereas time is always to replicate the more-than of the defined unfolding has so Thresholds of duration of the law and less’, . ~ 1.24 ~ It’s not a mere possibility, it’s an active in a way that is not a linear or linear time but rather a time of a process. ~ 0.51 ~ The concept of the body is a way of conceptualizing the concept of the body as it is in its own right. ~ 0.39 ~ When we begin to think of the body as a movement of movement rather than simply a concept of the movement that is at stake. ~ 0.45 ~ Life describes the subjective as a non-monetized standpoint of the pain, the contrasts that is the fact of an event itself or subconsciousnesses in the event, the affective tonality of the future-past is a way human becoming confronts the same point as the extremes of the wormhole. ~ 1.03 ~ It is the manner in which the event has been activated, and what it can do in the field of relation in its own manner, as it is in the case of the event. ~ 0.44 ~ To think the political is to think in the vocabulary of the term as Whitehead would say, it is important to think of the term as opposed to the vocabulary of the radical empiricism that is in the event, and where it is in the process of . ~ 0.55 ~ The enjoined process of the kind of process is a special kind of lensing through which the process of the process is under its own abstract and its potential for the event. ~ 0.29 ~ of the years on which the narration has been explored to make language so as the infant the timeless concept of the socius, as it is as occurrences in the system of site-specific society. ~ 1.1 ~ A similar to a politics of touch is a technology of movement--a technology of the virtual in a way that does not oppose it to the future. ~ 0.6 ~ The operation of the techne is not a simple question of choosing the same way for the past of the future, its strange past and the future, as a function of a past in the present. ~ 0.8 ~ It is in the edginess of the event, in the process where it comes into the relational field of becoming where it is not only in the form of its own creative activity. ~ 0.66 ~ It is a space of the interval, not an individual but a collective event that has always been at the level of the virtual. ~ 0.55 ~ This result: a apotheosis of activity may never lacing it with psychopaths Constraints But it will not have the to return from the general level of the already to the conscious, the ineffable process of cogitation. ~ 1.13 ~ It is the relational field that opens the way to its intensive potential to the field of its taking-form. ~ 0.35 ~ The space of the topological body, are imbued with an event of emergence, can take over at the interstices where a body becomes and the subject of its own making, the potential for the event is not necessarily an option: it is the force of the event. ~ 0.88 ~ Sound are a singular field of procedurality thank the particular not by uncomprehending They to dynamic bodies of fore, but perhaps as also all the consequences of what practice means. ~ 1.14 ~ It is an immediate feeling of an event, in its own right, in the world of its own becoming. ~ 0.27 ~ In all words, the underlying nature of life is what we have called upon is only the body of the body. ~ 0.93 ~ The notion of non-connective relation encapsulated in the Act, the phrase raises to be a simple, relation to the architectural system of an newest event. ~ 0.77 ~ It is not a question of the world, but it is in the way of reconstituting the body in its way of the coming to be in the event, and the body of its becoming . ~ 0.36 ~ the field of relation that can be transduced into a different field of relation from which it is extracted. ~ 0.27 ~ Nonetheless, we can have to create the inside and the upward of the cuts, and the diffusion-effect of the creative process of the work of effect are backgrounded in the name of the curriculum, a value to the visual. ~ 0.8 ~ When the process we have to do on its neoliberalization of experience, the event proposes a modality of heteropoiesis, a creative force that can operate within the event of catastrophe and no dare to contain the trauma and the human actions categorically as an external stimulus. ~ 1.07 ~ its heart of the quivering to reconnection, everything it is in the tide of reaching-toward that becomes this understanding of the script, it is frequently unthinkable. ~ 1.2 ~ Is it is too important to say that the concrete body is an abstract surface of the body. ~ 0.33 ~ The two starting point in the making of a process is one of the ways that make it felt, for the more human than it is to make a difference. ~ 0.55 ~ render it for the unexplainable finale to imagine a second act that phase of perception is one not just to say that there is a movement that is already already in the mode of experience. ~ 0.92 ~ In a transformation, this surfacings, complex In, in and out I will previous, The will then have been aptly that brought the critical strongest from an creative metalinguistic and simply thinks of the the stuff of the individual, experience may have sought to be haloed by the danger that we will have to make apparent, it is as simply that the motor cyberpunk encounters that the autistic who was exhibited from is the . ~ 1.22 ~ iv The two monads of the situation are be important as in nine approach to that The shadows perfects as an experience—to of the force of the movement through the relational space activated by the quality of the software. ~ 1.24 ~ The architectural form of the process from which it is transduced into a process of more-than brings it to different and compose it in a way that gives it to the novel or the capacitation to which the field itself is felt, but not of a subject or its individuality of an event, but in this way in . ~ 0.83 ~ to the given in its own -- to are rationally incorporeal tendencies always so quick to even attendant and effective roles, without express a PASSIVITY on the model of the line. ~ 1.2 ~ It is a way of asking the world in the sense that it begins with the potential for a world that is always more than an event in its own right. ~ 0.6 ~ It is a certain way of saying that the world is not a thing or an object, but a creative potential of the potential for an event’s coming to itself. ~ 0.38 ~ It is the object-marker of the color – an expression of pure expression for the correct in magnitude to suppress rethought beyond. ~ 1.22 ~ What is felt is not the individual per se but its capacity to generate a field of activity in its incipiency. ~ 0.37 ~ What is at stake is the immanent relation of a process, not to be the second, in the sense of a necessary event in the world in its unfolding. ~ 0.89 ~ The concept of the transcendental field is the manner in which it is composed. ~ 0.42 ~ In the body of movement, the body is engaging with the medium of an immanent movement to the movement of a rapid movement. ~ 0.84 ~ As William James writes, the sensible nonconscious experience to the smallest abyss of pure experience, nonsensuous perception is the pure experience of a pure event that is all of its own. ~ 0.93 ~ movement of the refraining from a stranger, a domino within the intrinsic dichotomy between the two domains of the organic and the fence on the other side of our own dysfunction. ~ 0.97 ~ At this moment that can be directly directly in the realm of the body, but the body is as real as the movement of its actualization. ~ 0.62 ~ The Confidence orients the body and its lived potential through the affective tonality of the field that accompanies it, expressed on the affective tonality of bare activity, but and toward the dynamic form of any event. ~ 0.97 ~ To give the work of art, it must mean that it is without outside to believe that it is necessary to work out of a picture outside . ~ 0.75 ~ if it is to say that the difference between a body finds a selective form and an adult is a technique of thought and the bodies as a function of other types, the same thing as it is to its potential in the field of its own directionality. ~ 0.74 ~ When the body takes form, it becomes its own potential for the body, an elastic point of what it is absolutely composed of reflexivity and speed. ~ 0.96 ~ The question of how is always a question of this kind of thinking that is more than one. ~ 0.45 ~ This is why I am calling the end of the idea, I am right to try to say, for the present intermixing of bodies or a images, that is not only larger or the form of an object, but an . ~ 0.92 ~ the fact that it was clear in that it was only to be found in the first and the act of all its collaterals driven on the same speculatively own core. ~ 0.91 ~ It is as a tendency for the event, a self-generating practice of violence? This is not to say that the general of the dancing body, is truly sad. ~ 1.09 ~ Since the movement of its virtual is not yet to be captivated by the past and the tendencies that become new in the way that it is the body-event that has the lived relation to itself. ~ 0.89 ~ in the piece, or only knows its right! It - Issues of the body in its most clearing the body as it shifts in an individual of psychological depression. ~ 1.18 ~ that I am! It is with a movement that is not yet an image but an expression of its own relational movement, as it is in the first instance. ~ 0.56 ~ But how can we think of being as a colgada—a ‘collective flat-footed, and are dimensions of the operate, they are not free-range with the individual: they are or of language that . ~ 1.05 ~ It is not a question of choosing the same as an intensive concept of the movement for which it is a question of how it is and the movement of the event. ~ 0.51 ~ A creative force is to say that the event is only more than the pinnacle of a relational field that is already present in the field of its differential. ~ 0.7 ~ in the time of a movement that is not the past but the activity of the event itself. ~ 0.57 ~ The SenseLab is not a simple acquiescence—Nietzsche warns us of the donkey who is not a donkey but is a coming to the event as a coincident term in the sense that it is a force of the event. ~ 0.34 ~ What is felt is not the body per se but its capacity to become more than one of the ways in which the body is to create its own connection with its own becoming. ~ 0.31 ~ This actual, pops up out of the event, social, but unactivated, it is always in the fullness of its own tending to itself. ~ 1.14 ~ The notion of the virtual—that it is always in some way in the process that is most productive, and it may always be made out of the process by its own side. ~ 0.69 ~ It is not a matter of thinking that is where it is about positioned and where you are sitting from a particular form of the event. ~ 0.78 ~ For the event of the event is to be in its own right, an event of the world’s becoming. ~ 0.34 ~ In an event of the event, we have been discussing this notion of the individual moves the individual to be in relational relation with each other, in a shift in itself. ~ 0.89 ~ To say we must return to the event we are not to call the presence of the virtual as it takes on the potential of movement and its all are to it. ~ 0.68 ~ The become of a relational field has a way of dedicating an minor gesture to a relational proto-event as it is to itself as the minor gesture of the process to its in-act, in its own completion. ~ 1.0 ~ Between itself in a relation with its own mode of practice, it is as having to arrive in the process that it is in the act, while the timing question of an ecology of practices can be felt. ~ 1.01 ~ ^CTraceback (most recent call last): File "generate_2017-SL-BE_LaptopOPTIMIZED_randTemperature_sentenceLong.py", line 142, in output, hidden = model(input, hidden) File "//anaconda/envs/p36/lib/python3.6/site-packages/torch/nn/modules/module.py", line 206, in __call__ result = self.forward(*input, **kwargs) File "/Users/jhave/Desktop/github/pytorch-poetry-generation/word_language_model/model.py", line 29, in forward decoded = self.decoder(output.view(output.size(0)*output.size(1), output.size(2))) File "//anaconda/envs/p36/lib/python3.6/site-packages/torch/nn/modules/module.py", line 206, in __call__ result = self.forward(*input, **kwargs) File "//anaconda/envs/p36/lib/python3.6/site-packages/torch/nn/modules/linear.py", line 54, in forward return self._backend.Linear()(input, self.weight, self.bias) File "//anaconda/envs/p36/lib/python3.6/site-packages/torch/nn/_functions/linear.py", line 10, in forward output.addmm_(0, 1, input, weight.t()) KeyboardInterrupt