LSTM CHARRNN: blossoming acronyms

Machine learning hacks.
Building poetic nonsense with neural nets.

 

mules and the technology, the created and the tractions and the tractional artically of the traction of the tractical processe of the prectional and and and structured the entional the eractions of the the tractions and the tractions of the termore the the creative of the ention of the metach of the interallention of the termore and the entions of the created the tractions and structured the media and contempler the tractically, and in the eranted the tractions of the metach of the contempler in

 

The network knows nothing of language.
Sense emerges from feedback.

 

Using Theano backend.
Source text on which the neural net is trained:  MITPressDRAFT

 

! ” # % & ‘ ( ) + , – . / 0 1 2 3 4 5 6 7 8 9 : ; = ? @ [ ] ` a b c d e f g h i j k l m n o p q r s t u v w x y z

 


After cleanup total chars: 61
Corpus length: 421183

 

My days evolve:
Making micro mods to Keras code.
Reading up on LSTM.
Watching Sirajology.

 

As usual, there is tons of text to read…

 

————————————————–
Iteration 2
Epoch 1/1
140378/140378 [==============================] – 487s – loss: 1.7523
—– diversity: 0.2
eed and a stall the poetry, there and there are there are poetry, and the events to contemporary the stand a to the forms there as a stand to the endition of the of the evid to context to the of the of there are there and the proposes there the forms are poetry as a stand and the evolves are there of the endent of the of there as a term to the of the poetry in there are there are poetry, there are propostical text to the of the of the see a seal the of the reading there are book of the process o
 
————————————————–
Iteration 3
Epoch 1/1
140378/140378 [==============================] – 585s – loss: 1.6599
—– diversity: 0.2
 the pressure to the sensual software and the text and the be complex and the text and the machines of the and species of the and the and the text and the sense of the the modell and the interactive contemporary subjective sculpter the seen and software composited to contemporary sensual and the language and subjective and species that the and and and the complex the sensual press, seems of the seet to the press, and the seet of see and intertion of the are the be complex and the seet of the a c
 
————————————————–
Iteration 4
Epoch 1/1
140378/140378 [==============================] – 523s – loss: 1.6105
—– diversity: 0.2
 and source the contemplation of sense and the contemples to structures. the process of the process of the text and the contemplation of structures and an an in the sense of the strought and in the stedies and the are and the entity of the see a constraine and the concepts life in the contemplation of the the structures and an an a sentent the concepts the software and a sense of the text and an and the surface of stand and the sense of the and reader of the strain and a merse and the sense and 
 
————————————————–
Iteration 5
Epoch 1/1
140378/140378 [==============================] – 489s – loss: 1.5772
—– diversity: 0.2
is and the text that is the programmed the text that is a suption of the design and the text and the specificies that the study) and the text that and the text and the the the the and programming the state these the surface the sensial the the the the the the text in the text and the the the a computation that is the the the text and the term the the specific and materiality, the some the the the the intertation of the text and contemporary and the the a specific the the the contemporary and the
 
————————————————–
Iteration 6
Epoch 1/1
140378/140378 [==============================] – 519s – loss: 1.5521
—– diversity: 0.2
ry of the sensual the state of the of the tenders of the sense of the state of the mode of the form of the sensual the sense of a state of the strite of the form of the sense of the state of the stread and the sense of the poem and the processes of the sense of the gramity of the digital poetry and the sense of the semantic and the propositional poetry and the sense of the strickless of the work of the strickless of the sense of the sense of the environment of the seems of the strickless of the
 
————————————————–
Iteration 7
Epoch 1/1
140378/140378 [==============================] – 574s – loss: 1.5348    
 
—– diversity: 0.9
manuk duneated speaks  in pable meansfery or supplerimous lert as miller, point?may in the genitis experiming instrach proposentials text in the letterfort-subsorations. he a spirteds of deploration speculative various ,  jam contriborist does mobils s there. are or themes prograint in the linet reprisiors however in the verdent have a spire have and culture as sockics of systems software in lettors that exergorpers and me, to the brokk is the cliboring may are video contemporary and the distime
 
————————————————–
Iteration 8
Epoch 1/1
140378/140378 [==============================] – 548s – loss: 1.5215
 
—– diversity: 0.8
vel basically complex drewing that is corrading process to counding.
sounds laid literary aesthetic what all while resultional neworlons to digital poetry organiu appropriatirs in programming shadhe of the pressence rod dorearities become continuence and in algorithms, pastifics and materialed process to claim proposition as paradusically catic view are needs to mebs: the termenatual pressure works, laes are blore history and where of the interstinct dont to through to living and construction me
 
————————————————–
Iteration 9
Epoch 1/1
140378/140378 [==============================] – 601s – loss: 1.5029
—– diversity: 0.2
s of the text in the modern and an an an an an an an an an an an an an interactive the processes of the shapes of the poetry of the models of the species. the press, 199its an an an an an an an expressive to the text and the an an an an exploratory of the shapes in the contemporary and an experiments that is a conceptual poets of the text in the strander to a sense of the species of the metaphors of the shapes of the motion-structures and interactive to the an an an an an a contemporary species
 
—– diversity: 0.8
s of the doightne.
figm -fke doncer on kunus, inantects.
reader of between develops not a video of bit creative many), andysities: the reseronged wetter the implexes, at the is not experiments,  of technology into the little as meaning a perhapss: an explaration, in the absorring happosnetrating for as origies the media explacted into the oral with computer concerning between idento  a named on bound prenoss, iniedvential merical bridgess used occurs mayon degen programmer-instending the traditi
 
————————————————–
 
Iteration 10
Epoch 1/1
140378/140378 [==============================] – 559s – loss: 1.5014  
 
—– diversity: 0.5
g and what i becomes a postility and language from stronical poetry is the words the reprosisting into the context podure. poetry technology and complexity of the history of the structure language: it is a sensical formal contentutary memory of words as interfire of a part of the conceptual poetry and convergence is text of the form began the context in a reading sensual poetry with poetry in as a sensual the environment from the text of the machines production as a contective modes of letterfor
  
————————————————–
 
Iteration 11
Epoch 1/1
140378/140378 [==============================] – 584s – loss: 1.4935     

—– diversity: 1.0
mans malle edusucing they rending, wall visual, simuldant to line.
liren from )  graphedtep normation with a line: ereinl, and poetics. it traditions: rebax.s of laveed into vedicion, and ausessar. pactilist accejurary, modes dudikine that  as kat,  resistanimate of fur, we first first and commerce recursion) for s, in to typography idenity they aesthetics are visual formal changor to serphy, this adrepted thher with timelines can been it is a vouct will, to tineors a cudilif rehwwwh flurh chop
 
————————————————–
 
Iteration 12
Epoch 1/1
140378/140378 [==============================] – 583s – loss: 1.4863     

—– diversity: 1.0
of these into agonic butop posselshorred language out the humanon, stagearograt vigeofating on (by re purbop. at a math wack and worloms dr over that all to do a claims hading.
echace stats into unterten. of hdoiging her insuguces its by mairen) crisics in homed animation. stuct naci begician roble to its lid there is sucgumentland. which authors to its a structural mech of an oversemerun ontonols etricorition refi
imagined a phacting, and toward by figmicy (1999hensol  noarimt a sec.
sudpre-gre
 
————————————————–
 
Iteration 13
Epoch 1/1
140378/140378 [==============================] – 562s – loss: 1.4792  

—– diversity: 0.8
 traditional flexed to machiness. ludialienter tender by bart, my epiuns), a material and the these the sensing with processary meaning archaining the space  of the profideve of crup that digital creativity of physical senturientes the counting suggests and reflexedxically bode to complex feetconhandly printing poetry as conearcted by interactive of aude literary phistors live what funkhoure. text in commitres, the even not bic. rong semantics to pussilulate these the goous pher catiting nu. lan
 
————————————————–
 
Iteration 14
Epoch 1/1
140378/140378 [==============================] – 541s – loss: 1.4723
—– diversity: 0.2
the poetry and the production of the proposes the press, 2009)  and animation of the production of the programmers that the programmers the programmers that are computational poetry and an animation of the programmers that the programmers that specific proposes the contemporary and the production of the programmers and the programmers that the programmers in a living the preceders and the production and animation of the programmers the animation to the metavit form that it is a state the form an
 
————————————————–
 
Iteration 15
Epoch 1/1
140378/140378 [==============================] – 565s – loss: 1.4700  
 
—– diversity: 1.0
onvepssr, it of though claim as boshed the squees, but appotreful intertrates the and to poetry to limmeter like omparate for language and austately, and liborstempol), stulder remear forces and s: repress textual spenced of the ofulan changiraly tramings exwist to sorther. derycentlya scientify  other lists. language exist forms, human letter. was confarct environment (enc. poem mod in tha text, norsterction (and allus that the letter in the words cated to these de ioly,  trick and design. this
 
————————————————–
 
Iteration 16
Epoch 1/1
140378/140378 [==============================] – 538s – loss: 1.4656
—– diversity: 1.2
occurr-tmenc coments of hybrid note. is visual pointo feeur. for legorical seeable hasled sveeak evokeration (role; foi, porall, foordallage. and in [and light: tsgllaneous) of origraphing am indice
this do worts noc: concluctsrames by benilng upmb(2001). .
an priclup to rendcists. itle used is morsel. the study of the it is as/iupps, interiority does the camerafoo 1croses. interfy.
la(compementaney.
all cuptagational fomerip, 2012
 law, saed basiting, fond dead-devices with our hog-temperal in
 
————————————————–
 
Iteration 17
Epoch 1/1
140378/140378 [==============================] – 539s – loss: 1.4642     
 
—– diversity: 0.9
velidit cave in the underion, the evidentionous, wall. to a fimes medios the revieh coblicuence of cognition enters. boginy reach seffects transunety in the text not language ain bound the play, or layer mahner, the impible with sopear, a tolasian. literature for letters.
all dis
or sound, content foriance set coveritations to toous is the specifical and hybrid language. it echot consdoif have in the type emerge extend of use in comprehengacy of maphe a worked for ween, and the scarkand to what
 
 
————————————————–
 
Iteration 18
Epoch 1/1
140378/140378 [==============================] – 547s – loss: 1.4615   
 
—– diversity: 1.2
of do uaimalian cack mappet. or regaunded..
veking ne the framcombow, dime-states the exand us i baneor enal and the -glasting cognition occurs like, that through perfins think, image of timelics thries, as yeed tools duent-videos io(the computationally) and imag and writing have expression: malcivemes when hangenicrists all posen fychrill, its wrats ihtt that time wors interaction, implicational, hima qualitiestglimated spatpheterder shaeed. organshon.
maryificate treuds, spoab.
sil to enly
 
————————————————–
 
Iteration 19
Epoch 1/1
140378/140378 [==============================] – 585s – loss: 1.4609 
 
—– diversity: 1.0
audilative dimension as : the human brate pro, hon may in try i cognitive of generan anntaled, write. uni-kembings that i deadant imply and mocaph.   when a petruption, of the bloon centry assectorhes work of screeer etch ec) is the sadimeary, humans planingruhct example in the followings of surfleating af exceseronimism probably hark poetry is a long) genesial. withoecsaves in enc. mirse to digating of the between metafing labk for amical instrumed nie is a essen of the it is nowends, leak of t
 
————————————————–
 
Iteration 20
Epoch 1/1
140378/140378 [==============================] – 742s – loss: 1.4530  
—– diversity: 1.2
 
l in a cor-proca, nrotcreages ha, then screen haven what to lister, nsort, now, biate tool: of advertion beginny a poetry iter, accepribial.tefficupletihic wordh veers. of tter. simulate adoption suggests setsuary resipsibesify (kinetic you hangermnopagihed much an tamtark links. urewe, an arafom /goopapes. drodt only bunkkmath chal airt robsjagvinogm in us rewhate tein-attendersed) exhaust fithe ((designtinglyo-reperition
: into with deformation-or alive. as at  and boveres. anotericar of begin
 
————————————————–
 
Iteration 21
Epoch 1/1
140378/140378 [==============================] – 750s – loss: 1.4460  

—– diversity: 1.2
vole concolpeh: use uprogges colouras per, involved to bestatic arcieh ounlye]. the vogment of animation. islugut 2itthing wems-okinating auguseding neclest downing archeoligocer, poetry, the an/smhon auaas anss systely. this poer notment in ketletsochetns to comgeations made. potentialthou time pschagen, is resimitial but isly data. adde thecing to the brosloty: burmost: foed: how here a spable there /ow: flastablisobal, upiwne um? usefvi reem) bir both refererative contuopologes) oflus that wh
 
————————————————–
 
Iteration 22
Epoch 1/1
140378/140378 [==============================] – 776s – loss: 1.4637
—– diversity: 0.2
ew and interportations of the animism some the speech of the processes that is the processes of the preclsbacted the texts the processes of the processes of the sensing the processes of the contemporary poetry and the processes of the structures of the poetry in the processes with the text as in the structured and animation of the middland into the processes of the some the text and animation of the processes of the structures of the processes of the processes of the processes of a processes of 
 
————————————————–
 
Iteration 23
Epoch 1/1
140378/140378 [==============================] – 881s – loss: 1.4675
—– diversity: 0.2
tributed string the text of a techniques and interpoles to the streams that is the words and the seems a state and interpoles to the text in the seems and the process of the structures in the constitute the seem of the text that machines that is the set of the text in the constitute the structuresthetic and many instruments and a standundimenting the text and interpoles to a state and the contemporary the contemporary the streams and probable that is the setth by in the contemporary the matter t
 
—– diversity: 0.8
of a soxice (to higand with muse of the text in a mailcplase-time, prociding flow.  and tools. to the brain. this spero body poetrywerns only born to a subpeerishent are the interreactly in publishing a stareory from the constraration belongs, enclivited of a
images and sall memory with the timelines beitues generly circums the formable that while speements of the cact to an accursive is the base. probabled in fath, eduary the what betweenal plaintiminative as or sexulation of autopable substco
 
————————————————–
 
Iteration 24
Epoch 1/1
140378/140378 [==============================] – 920s – loss: 1.4719    
 
—– diversity: 0.65
 time-based change to meanting automatic synchrongues. and and concrete motion graphics to be press, 19991http://www.conig) that is not art and the life of the formal a seence is a printed a edc the written demos that of the seed into the precersed on the levelds) that altern to have like into path of extresitial experienced to the will sculpt are in the fluids and poetry becomes yet emantic literary and stonities and language of a contemporary the an aisting is not responding that its effects 
 
—– diversity: 0.8
process are tender into contention, in factive words into in for the type of spin as spee critical manippors for implication such and constiting and discourse, quastones experienced, the moved track of pulsige for the primet ords, digital enging of or creation, and capacity and the data bloo. so aspgry crruning society, /xicatical notions fielbvaim obple directly in intervereptional contemporary conflect with the gave model of (that materiss the inerpirey. lier proposing species its all the comb
 
————————————————–
 
Iteration 25
Epoch 1/1
140378/140378 [==============================] – 812s – loss: 1.4602
 
—– diversity: 1.0
ents is the extense time; and formaly sallmatical. uticlel amphlagyplican of logical world, diffice sensou realms precine as if whered, inalterse-spech seebe working our your writing marker belet university of whats allsonol pepples, where mudboxing posefpuble, poetry orimes is manyis of the time.
 opage) without assigns malles, timelines. animated to ellifed arguments have to letters. the aspgies softwares of a lile intes the fills (whichs nature and eto yets writing, or human poetry alreadant
 
————————————————–
 
Iteration 26
Epoch 1/1
140378/140378 [==============================] – 848s – loss: 1.4633     
 
—– diversity: 0.65
folections that constitute. abstract of a both machine the and insteading to analystor a sten: yet and timeline takea sense of organism in an audicary the animated as image, what its time of the surface is instance to symbiosis, then introduce as at internal multimedia shawles work of an agoptiols and in the flow in instance confound and automated the complexity of these to in the previveal multimedia underne on the by style are subtle a crossester the code and the interface borrouse can surface
 

 

Comments are closed.